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This setting of Holst's tune CRANHAM begins with a solo eighth-note line inspired by the lyrics "Snow had fallen, snow on snow" and is soon joined by whole-note chords using tower swings to suggest "frosty

This lilting melody is a song about the Puerto Rican coqui, a tiny tree frog with a high pitched voice that “sings” from dusk till dawn. The music is accented with shakes, thumb damps and

This reproducible collection of Lenten hymns may be rung by only six ringers, and the "Bells Used" chart for each piece provides suggestions for individual assignments. With minimal setup and ringers

The sheer warmth of this piece is sure to leave listeners spellbound! The dreamy melody suspended over a series of simple arpeggios instills the feeling of warmth.

This original composition is written in Native American style, sound, and philosophy which includes the belief that "the earth does not belong to us; we belong to the earth." It is written in F-sharp

This entertaining piece for a small ensemble of six ringers lives up to its title. The popular song is delivered with fun techniques and lively rhythms. The percussion part will add additional flavor and

Favorite carols are combined in this masterful arrangement with creatively woven melodies and quick-changing rhythms. Beginning with an optional layered processional featuring Here We Come

This trio for three bell trees incorporates Sing We Now of Christmas with O Come, Emmanuel while the familiar repetitive three-tone/four-note theme from Carol of the Bells is

Bass ringers enjoy this piece because they ring the melody on the 2nd stanza. Rhythmically easy, the arrangement begins and end quietly but builds to a big climax just before the conclusion. Use as a

The arranger has created a delightful setting of this favorite from Edvard Grieg's Lyric Pieces written for piano solo. Mallets and thumb damps are predominately used, interspersed with the

A truly gorgeous, sensitive, and creative setting for handbells and cello, this arrangement of the familiar FINLANDIA begins with cello playing the solo melody line followed by handchimes and then handbells

The title Sambello is a combination of two words - samba and handbell - and also combines two time signatures: 7/8 and 4/4. The piece is not a samba, but it feels like dance music because of the

"Whoever believes in me, rivers of living water will flow from within them." In this original composition, handbells describe a metaphor where faith starts as a small brook that gradually becomes deeper and