Melodically rich and expressive, this well-known American mountain ballad is a wonderful teaching piece with high performance value for developing voices. With long lyrical lines, it is an ideal melody for
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Arranged for a cappella tenor-bass voices, this traditional sea shanty uses a baritone soloist to tell the woes of being on a ship and a choral response telling the sailor to "leave her." Perfect for high
Experience a compelling arrangement of classic Americana. This captivating rendition promises an unforgettable musical journey, perfect for school and collegiate choirs seeking timeless elegance.
Based on a song by Woody Guthrie collected from American folk lyrics, this unique arrangement ingeniously employs vocal percussion to emulate a speeding train on its tracks. Scored for mixed chorus and
Transport your singers to Ireland in a heartbeat with this newly composed piece that sounds like an old Irish folk song. Mostly in two parts, it expands to three parts just for the final verse. Super fun to
Highlighting the weight of the lyrics with a gospel feel and bluesy sonorities, this popular American folk song has never sounded so unique. The stylized arrangement includes echoed choral entrances as well
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Based on the traditional Gaelic folk tune, this gently lilting ballad speaks of a fisherman's longing to return home to his family. Tenor-bass choirs will enjoy the sentimental approach to this melody, and
"And we'll all go together ... to pluck wild mountain thyme, all around the bloomin' heather..." The gently lilting strains of this traditional Scottish ballad are beautifully set in this arrangement. Lush
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This 19th-century folk song from New Zealand experienced new life as a viral hit on TikTok and spawned the sea-shanty trend. The ballad tells the story of the hopeful inhabitants of a whaling village
Inspiring words of kindness accompany this familiar Irish folk tune above a flowing piano accompaniment that adds sparkle throughout. Suitable for moving-up ceremonies or a beautiful selection for treble
Highly suitable for treble choirs of all abilities, this concert arrangement of the Kansas state song is simply majestic. A pulsating accompaniment adds forward motion to this sparkling homophonic
Aldous Huxley's tongue-in-cheek poem Flowers is set to a folk-like tune that employs jaunty rhythms, an optional violin obbligato, and simple body percussion. This delightful two-part treble piece
Written to emulate a hoedown style, this original tune is a fun, energetic song for choirs of all levels and abilities. For a yee-haw good time, add the optional body percussion and instrumental breaks
Your singers will love jumping into this fun, jaunty rendering of a beloved American folk song. Lively interplay between voice parts and engaging handclaps keep things moving.
One of earliest known American ballads, this folk song sings of Timothy Myrick, who died of a poisonous snake bite. While the original take was heartfelt, it has evolved to become a more comedic and
A classic Robert Burns text combines with an old Scottish tune in this accessible a cappella offering for tenor-bass choirs. With a gentle lilt, crisp diction, and traditional harmonies, this arrangement is
Combining Simple Gifts and the Going Home theme from Dvorak's "New World" symphony in partner-song format, this is easy to perform with a minimum of rehearsal. A lyrical violin part adds
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This familiar American folk song has been arranged with an eye toward younger, developing voices. It features catchy lines, quickly learned melodies, and a playable accompaniment that will be engaging and
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An accessible setting of the traditional Irish tune, this a cappella arrangement is warm and inviting, serving as the perfect closer for a performance.
A veteran seafarer gives advice to a young new recruit in this traditional Scottish sea shanty. This robust arrangement possesses solid harmonies and is eminently singable and fun, similar to the style of
A 19th-century halyard sea shanty, this piece is a great example of a song sailors would sing, adopting words and phrases heard from various lands they visited. Tastefully arranged for a soloist or a series
Two poems by Robert Burns are set to traditional Scottish folk melodies. Guidance on the pronunciation of the Scots words is given in the octavo.
Higgins' setting of this popular folk song opens simply and then moves along with gradually increasing contrapuntal interest. The lovely arpeggiated piano accompaniment flows gently alongside the vocal
A fresh setting of this traditional Irish tune offers opportunities to showcase soloists or sections, as well as parts for violin and cello. The top line of the text in the score is a phonetic pronunciation