John Fedchock's chart on this Monk classic is an all-out trombone solo feature, though it also showcases the band's restraint and ability to shift dynamically between piano and fortissimo. The
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Put your young trombone player with lyrical skill on display with this lush and accessible ballad. Trombone solo plays a high G.
Here's an outstanding Kenton-style ballad that showcases the lead trombone and the trombone section. The chart builds during a 12/8 section which makes it an even stronger choice as an excellent ballad
Strut is the low-end feature you've been waiting for! Feature your bass trombonist and/or your bari sax player in a funky James Brown groove a la Cold Sweat. The solos are notated with
The Sun Will Shine Today is a flexible solo feature at around 180 bpm with standard instrumentation plus optional horn in F parts. Originally scored for clarinet, it includes feature
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This song was a pop hit for several artists in the '70s and '80s, and now it has fresh life as a contemporary-sounding jazz waltz. A solo trombone is featured throughout, with plenty of support from the
Tomorrow Is Always a Good Day is a sensational ballad feature for solo trombone or tenor saxophone. This lovely composition begins in a minor key, keeps building to a modulation to major, then
A Gordon Goodwin vocal chart! In addition to the vocal part, there are optional solo feature parts for alto sax, tenor sax, trumpet or trombone for added flexibility. Gordon has conceived this with the solo
Sammy Nestico pays tribute to his long-time friend and trombone icon, Bill Watrous, with this touching trombone solo feature of Mancini's Too Little Time from the soundtrack of the 1954 film "The
Shine a spotlight on your trombones with this catchy medium swing feature. Full of unison melody in the trombones as well as individual lines, this chart is great to feature a section that knows how to have
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What Will Be is a slow, rock ballad to feature either alto sax, trombone or trumpet/flugelhorn soloists. With a beautifully conceived melody the solo part is highly emotional, lyrical and
Although this was a pop hit back in the late 1960s, this familiar ballad lends itself nicely for jazz ensemble treated here as a jazz waltz. Scored to feature a solo trombone, alternate solo parts are
Feature your aspiring trombone soloist with this soulful rock ballad. The range is very moderate to ensure a feeling of security, the solo part is mostly written, and the accessible improvised solo section
Originally arranged for George Roberts and the Stan Kenton Orchestra, Johnny Richards' treatment of the beautiful Jerome Kern ballad Yesterdays is a bass trombone feature throughout. In typical