Barenreiter Urtext Editions

The Baerenreiter edition of Mozart's masterwork; this has become a staple in the repertoire.

Between 1996 and 2000, Barenreiter published scholarly critical editions of Beethoven's nine symphonies edited by the first-class musicologist Jonathan Del Mar. The editorial process was a huge undertaking

A scholarly critical performing edition of Bach's great solo cello suites. Includes: one music volume with a critical report; one text volume with information on manuscripts, genesis, and performance

Edited by Andrew Talle. For solo cello. Urtext Edition. Detailed preface in Ger. and Eng. This edition, based on volume 4 of the New Bach Edition (Revised), fundamentally reassesses the

Bach, Johann Sebastian. Ed. Manfred Harras. Published by Barenreiter Verlag, Kassel, Germany. Copyright 1998. Urtext of the New Bach Edition. Provides not only the recorder parts, but the relevant parts for

Schubert, Franz. Ed. Werner Aderhold. Published by Baerenreiter, Kassel, Germany. Copyright 1997. Urtext performing edition based on the Neue Schubert Ausgabe. Study score (5528260) and parts are also

Edited by Wilfried Fischer & Martin Schelhaas. For violin & piano reduction. Urtext Edition. Reconstructed from BWV 1056. Score, 13 p. and part.

Edited by R. Larry Todd. For cello & piano. Urtext Edition. Preface in Ger. and Eng. Based on the German first edition. Includes critical commentary. Score, 6 p. and part.

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Capriccios and Exercises contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position, and many passages of double stops, all within a melodious

Contents: Allegro moderato -- Poco Adagio quasi Andante -- Rondo. With an introduction and preface in English and German. Critical commentary. Beethoven composed this sonata in 1800 for hornist Giovanni

Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the

Edited by Clive Brown. For violin & piano. Urtext Edition. Preface in Ger. and Eng. Including detailed information on the genesis, historical editions, and Beethoven's metronome markings. With

Telemann's 1754 chorale setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well suited to display his mastery in

Edited by Clive Brown & Neal Peres Da Costa. For violin or viola & piano. Urtext Edition. Preface in Ger. and Eng. Includes performance practice commentary as well as a critical report. Contains