Henle Urtext Editions

To this day, Pierre Rode's  “Caprices” are a milestone in every violinist's education conservatory level. This Urtext edition offers detailed text regarding source material and historical

Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode each

Edited by Peter Jost. For violin & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Contains an Urtext violin part, and a part marked by Augustin Hadelich. Also includes critical commentary. Score,

 Two evergreens of the violin repertoire, with moderate technical demands, prepared using the first editions, and with fingering by the British violinist and Elgar scholar Rupert Marshall-Luck.

With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of

Rieding's short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals.

Edited by Michael Struck. For violin, cello & piano reduction. Urtext Edition. Preface in Ger., Fr. and Eng. Score, 32

Edited by Robert D. Levin. For violin & cello. Urtext Edition. Preface in Ger., Fr. and Eng. Levin has completed this

Violinist Heinrich Wilhelm Ernst, a friend of Mendelssohn, was one of the great virtuosi of his age, standing alongside Paganini, Vieuxtemps, and Wieniawski. Like them, he left behind a series of

The Viennese Jakob Dont is considered one of the most important violin pedagogues of the nineteenth century and wrote numerous study pieces that are indispensable classics of the pedagogical literature for