Henle Urtext Editions

Edited by Ulrich Scheideler. For clarinet & piano reduction. Reduction by Christoph Urtext Edition based on a manuscript copy of the score, and the first edition of 1822. Preface in Ger., Fr. and Eng.

The Clarinet Concerto in C minor of 1809 is the very first work by Louis Spohr to grace Henle's catalog. The first in a series of four concertos written by Spohr for the virtuoso Johann Simon

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinetists above all for presumably being the first to present

Following their edition of the Grand Concerto in F minor, Op. 5, Henle expands their series of Crusell's clarinet concertos to include the one in B-flat Major, op. 11. The Swedish composer was

Edited by Nicolai Pfeffer. For clarinet & piano reduction. Urtext Edition. Preface in Ger., Fr. and Eng. The piano reduction was prepared by Johannes Umbreit on the basis of the original orchestral

The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime, his concertos have found their way to the concert stage. This is hardly surprising

Edited by Michael Kube. For clarinet in A, 2 violins, viola & cello. Urtext Edition. Preface in Ger., Fr. and Eng. Set

Johannes Brahms' late chamber works are surely among the most splendid music ever written for the clarinet. In the last years of his life, Brahms seems to have become weary of composing - but fortunately

"Favorite dish in exchange for favorite music" - this perfectly summarizes the genesis of the Konzertstucke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the

Edited by Felix Loy.  For 2 oboes, 2 horns & 2 bassoon.  Urtext Edition.  These five divertimenti for wind sextet were composed between the years 1775 and 1777 in Salzburg.  This

Edited by Christoph Stockmeyer.  For clarinet & piano.  Urtext Edition.  This edition is based on the sole surviving source, long considered a copy, in Copenhagen's Royal Library, which

The circumstances in which these poetic Soiree Pieces (thus their original title) came into being are quite surprising. In 1949, Dresden was seized by violent political turmoil that

Carl Nielsen's Fantasy Pieces for oboe and piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with