Henle Urtext Editions

To this day, Pierre Rode's  “Caprices” are a milestone in every violinist's education conservatory level. This Urtext edition offers detailed text regarding source material and historical

Only after 1900 did this work become popular thanks to the young Pablo Casals among others, who frequently included it in his concert programs. Today it is unquestionably one of the favorite pieces among

Without a doubt, Dvorak's melodious cello concerto numbers among the most popular of its kind. Written in the winter of 1894/95 while the composer was in America, the work underwent several revisions,

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists in its

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinetists above all for presumably being the first to present

Edited by Dominik Rahmer. For French horn & piano reduction. Piano reduction by Johannes Umbreit. Urtext Edition. Preface in Ger., Fr. and Eng. Contains critical notes. Parts included for horn in E and

Debussy wrote these two short dances on a commission from the instrument-making firm Pleyel, which was keen to use famous names in the marketing of its newly developed chromatic harp. The dances are also

Following Dittersdorf and Hoffmeister, Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in Henle's catalog. The virtuoso work was transmitted

Violinist Heinrich Wilhelm Ernst, a friend of Mendelssohn, was one of the great virtuosi of his age, standing alongside Paganini, Vieuxtemps, and Wieniawski. Like them, he left behind a series of

The Viennese Jakob Dont is considered one of the most important violin pedagogues of the nineteenth century and wrote numerous study pieces that are indispensable classics of the pedagogical literature for

Edited by Otto von Irmer. For piano solo. Reprinted Urtext Edition. Score, 13 p.

Written following the composer's 1898 tour of Italy, this standard in the solo violin repertoire is one of Sarasate's most famous and often-played works. This piece is presented in two parts

Kol Nidrei numbers among Max Bruch's most famous compositions. The melancholy "Adagio after Hebrew melodies" was written in 1880 for the cellist Robert Hausmann. It sings two old Jewish songs using

Telemann's sonatas, published in 1728, are "methodical" according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they also

Edited by Thomas Kabisch, with supplementary violin part marked by Ingolf Turban. For violin & piano. First Urtext Edition. Preface in Ger., Fr. ... view details

Edited by Ullrich Scheideler. Piano reduction by Johannes Umbreit. For 2 pianos, 4 hands. Urtext Edition based primarily on the first edition, published in 1923 by Max Eschig. Preface in Ger., Fr. and

Edited by Ernst-Gunter Heinemann. For piano. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical commentary. Score, 11 p.

Edited by Bertha Antonia Wallner. Fingering by Conrad Hansen. For piano. Reprinted Urtext Edition. Score, 23 p.

Edited by Bertha Antonia Wallner. For piano. Fingering by Conrad Hansen. Reprinted Urtext Edition. Score, 24 p.

Edited by Bertha Antonia Wallner. Fingering by Conrad Hansen. For piano. Reprinted Urtext Edition. Score, 12 p.

Edited by Bertha Antonia Wallner. Fingering by Conrad Hansen. For piano. Reprinted Urtext Edition. Score, 11 p.

Edited by Bertha Antonia Wallner. Fingering by Conrad Hansen. For piano. Reprinted Urtext Edition. Score, 16 p.