This arrangement turns the 1999 Smash Mouth hit into an English madrigal. Using wonderful harmonic progressions and a tune that most will recognize from the "Shrek" movies, this a cappella piece is a fun
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This American folk song is a perfect change-of-pace selection for your tenor-bass choir. Hilarious lyrics list all the things that Mama doesn't allow - but that they love to do while Mama isn't around!
This enduring children's classic, made famous by Peter, Paul and Mary as well as John Denver, is full of fun and whimsy. It is complete with sound effects of a toy that we can't identify on the track,
With lyrics by the great Maurice Sendak and music by the great Carole King, this piece is a winner for your young and developing singers. With references to each month, this is a fun selection for any time
This delightful medley of beloved children's songs is set in mixed and asymmetrical meters with a tempo indication that says "as fast as possible!" Treble choirs will enjoy the challenge of performing these
This lively arrangement finds all the charm and humor of the classic American folk song. An intro of the phrase "Uh-hum" is followed by the familiar melody and text, with verses combined to create the story
"Eat your veggies: Grilled or chilled or steamed or fried. Eat your veggies: Sliced or diced or spiralized." A cleverly conceived litany of forty-two vegetables, this selection is sung in patter-style to
"Strike a key and begin with do, do-re-mi and the rest you know; one-two-three, come along, let’s go climbing up the scales." The classic Irving Berlin ragtime style is perfectly captured in this
"Black as the midnight, and white as the snow; gold as the sunshine, my cat of calico." This folk song styled original features easy-to-sing harmonic patterns and a tongue twisting patter text that tells
"I don’t wanna work. I wanna bang on the drum all day!" This super-fun arrangement for developing choirs features singable harmonies and a vocal percussion section where performers mimic the sounds of
Pirulito, which means "lollipop," is a traditional children's song from Brazil. The Portuguese text is easy to learn and fun to sing with simple harmonies, call-and-response, and the melody
This pop hit from 1964 features opportunities for solos or section features. Syncopated vocal lines and a light swing feel add to the fun in this easily learned novelty number. Add the optional rhythm parts
This lively arrangement of the Hank Williams classic is easily learned and lots of fun. Students will enjoy the Cajun dialect, finger snaps, and accessible syncopation. Rhythm parts and an accompaniment CD
Your choir will have a lot of fun with this humorous pop novelty hit from the '40s. This arrangement has a relaxed swing feel, a hint of jazz harmonies, and crazy lyrics that make it an ideal lighter
Frothy fun for caffeine lovers everywhere! From the swingin’ echoed phrases of the catchy chorus to the tasty "with extra foam" ending, this creative chart is equal parts education and fun. Extend the
This delightful choral arrangement of Johann Strauss' famous Tritsch-Tratsch-Polka features a tongue-in-cheek text about gossiping. Musically satisfying, the piece provides opportunities to
A text by Thomas Moore provides the inspiration for this innovative a cappella piece which uses percussion accompaniment to create a magical effect! It begins with a simple melody, then each part joins with
Drawing heavily upon Latin American traditions of syncopation, staccato movement, and rhythmic expression, this piece practically begs you to get up and dance. With a text that teaches solfege in a minor
"A peanut sat on a railroad track, his heart was all a-flutter. Along came the four-fifteen. Toot, toot, peanut butter." This delightful example of the lighter side of Jean Berger is arranged with a
A memorable melody and clever interplay between voices make this original piece a ghastly grim and gloriously gleeful change-of-pace concert offering for Halloween or any time of year. Perform with piano or
These two traditional songs fit together amazingly well in this excellent concert/festival selection! Each voice part becomes more independent as the arrangement progresses, and when all the parts do their
Berger set a clever Benjamin Franklin text in this vigorous and musically satisfying work. Beginning in unison, successive verses display a variety of choral textures that capture the rich sonorities of a
With tongue firmly planted in cheek, the composer has set this 18th century text describing how children should behave in church. The music is light and allows lots of space to color this very funny and
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