John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festival
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Here is a superb easy original madrigal for developing voices, with optional piano, optional baritone, a happy text and plenty of "fa la la" passages. Faithful to the madrigal style of the 16th and early
Orlando di Lasso's tuneful villanelle is set here for TBB voices, with Italian text and English subtext. Carefully edited, it is shorter in duration than the original SATB score and includes an optional
Develop your choir's a cappella skills with this straightforward original madrigal that employs traditional harmonies, modest ranges, and lots of repetition, making it a quickly learned piece. An excellent
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Now available for women's voices, this popular French chanson relates the gossipy conversation of a pair of French housewives as they chatter about their husbands. Dance-like phrases echo back and forth,
The seventeenth-century English composer Michael East wrote madrigals, anthems and consorts, including this delightful madrigal now arranged for treble voices. With its intricate and playful voice parts,
The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles
Joyful cascading vocal lines and "fa la la's" will enliven your treble choir's concert or festival performance! The hand drum creates a dance-like feel in this delightful madrigal edition.
This delightful five-voice madrigal from 1604 is outstanding! Echo effects and lots of interplay among the parts make the most of the musical imagery of "running in and out." This is guaranteed fun to
This sprightly, dance-like madrigal is a great teaching piece! A delightful concert opener, it lends itself well to a processional with voices, hand drum and tambourine. At just under two minutes' duration,
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the "fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-lama-ding-dong's"! Novelty madrigals are rare, and this is
The choral classic Is Est Bel et Bon is now arranged for three-part choirs with a fresh, gender-neutral text! Independent and smoothly contoured vocal lines contribute to an engaging arrangement
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