The beloved Faure Requiem is presented in a pristine Urtext edition for treble voices, arranged for SSAA, soloists and organ reduction. This arrangement uses a divided soprano section for the
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The Barenreiter urtext edition of Handel's masterwork is impeccably clean and authentic to Handel's original manuscripts. Available in English and German editions, it is a popular choice with European
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This 1998 edition includes virtually all the music which Handel composed for "Messiah," including alternate voicings for arias and other choral revisions. It is an exceptional performing edition based
"The Messiah" is without equal in its universal appeal. The standard G. Schirmer edition continues to bring this masterwork to singers and instrumentalists year after year.
This edition provides a fresh perspective on Handel's time-honored oratorio. Designed to be compatible with the well-regarded Schirmer/Spicker edition, it includes notational and editorial error
The Watkins Shaw 1992 edition is a clear, scholarly treatment of Handel's timeless work, with extensive performance notes and marvelous appendices that give depth and substance to choral performances
The Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often
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Wolfgang Amadeus Mozart's version of Handel's well-known oratorio. This edition is edited by August Eberhard Mueller and Johann Friedrich Rochlitz. The orchestration is scored for SSATB soloists, SATB
The liturgical Mass text of Missa Brasileira is set to typical Brazilian rhythms and styles and builds a bridge between European spiritual choral music and the rhythmic intensity of South America.
This superb Latin Mass setting for choir and organ demonstrates Rutter's strong melodic sense and innate feeling for choral sound. The atmospheric Kyrie leads to a Gloria that contrasts vibrantly rhythmic
Originally written as a wedding gift, this work was completed in 1983 and received its premiere performance nearly twenty years later. This work borrows directly from liturgical chant or was inspired by the
This Missa Brevis for mixed a cappella choir has been composed in the tradition of the short Mass (without Credo) and can be easily managed by most choirs. Thanks to its conciseness, it is suitable for use
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This beautiful work is a setting of the Latin Mass appropriate for both worship and concert use. The text is that of the Ordinary of the Mass excluding the Credo, with the Gloria being divided into four
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Joseph Hartmann Stuntz was born in 1793, not far from Basel, but it was in Munich that he found his musical home. During his lifetime, he was mainly popular as a composer of cheery songs for male voices.
The Venetian-born Antonio Caldara (1670-1736) worked under Johann Joseph Fux between 1716 and 1736 as deputy court music director of the Vienna Hofmusikkapelle (Court Music Orchestra). An incredible 3400
Johann Gottlieb Naumann came into contact with Johann Sebastian Bach in his younger years and worked at the court in Dresden as a composer and musician from 1786 until his death. His Mass in G is
Johann Joseph Fux (1660–1741) served as the distinguished composer and Vienna court music director to the Habsburg emperors Leopold I, Joseph I and Charles VI from 1698 until his death in 1741. Sacred
This concise Latin mass setting is entirely suitable for liturgical use, but the sharply delineated characters of the different movements make it an appealing concert work also. The organ part is supportive
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This is an uplifting and celebratory setting of the Latin Missa brevis. The choir may be accompanied by organ, chamber ensemble, or any one of the ensemble instruments in combination with organ, opening up
This a cappella work was designed for short worship services and was written without complexity, expressing the possibilities of rhythmic and melodic changes but always respecting the classical concept of
Johann Zach (1713-1773) is counted among the most important composers of the pre-Classical era. This multi-movement work unites Zach's idiosyncratic personal style, characterized by surprising harmonic