Morningstar Music Publishers

This expressive setting of a text by James Marriott includes a tuneful melody with a soprano descant and a supportive piano accompaniment. The text is appropriate for many opportunities during the church

A brilliant brass fanfare introduces the festive LLANFAIR melody associated with this great Easter text. Three verses follow, with instrumental interludes between verses and a descant soaring over the final

"Spirit of the living God, fall afresh on me." The lyrics of Daniel Iverson's immortal hymn find a fresh voice in this stirring a cappella arrangement. Some divisi in the soprano and bass parts helps to

This joyous Easter anthem with a brilliant organ accompaniment is based on a combination of original text and a text by Charles Wesley. 

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

A bright concertato setting of the powerful Easter hymn tune VICTORY. The piece begins with a dialog between the brass and the choir, then immediately involves the congregation. The congregation sings in

The joyful tune IN DIR IST FREUDE by Gastoldi forms the basis for this easy anthem with a modern text. Useful for choirs of many types and sizes, the addition of tambourine and hand drum makes this a

Mark Miller's flowing SATB Pentecost anthem has a simple but effective piano part that accompanies lyrical and approachable choral writing. The choral texture varies by stanza, opening with a solo. The

A ballad-like melody, well-suited to the ostinato piano accompaniment, and a sweeping text combine to give this anthem a timeless quality. Unison and two-part writing predominate, with some a cappella SATB

Neil Harmon has set the 19th-century American folk hymn tune, SHOUT ON, for SATB a cappella voices. Samuel Medley's 1775 text includes the recurring refrain, "Glory, Hallelujah!" Sopranos divide briefly

This striking Easter anthem on the tune LASST UNS ERFREUEN, scored for choir, congregation, brass quintet, timpani, handbells (3-5 octaves) and organ, is perfect for the traditional church on Easter Sunday!

This 1835 text and tune from Southern Harmony is in a lilting 6/8. The music is sweet and thoughtful, reflecting the nature of the text. This hymn and text are not the same as the well-known hymn In the

This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each

This baptism anthem is based on the tune WEST MAIN by John D. Horman with a text by Sylvia G. Dunstan. It chronicles the baptism of Jesus by John and explores the deep symbolism and concepts surrounding

This lyrical piece features rich sonorities and a sensitive text in the form of a prayer that invokes the Holy Spirit. The recurring refrain "Jesus is living, Jesus is here" anchors this sweeping anthem for

A tender setting of the traditional Irish melody WILD MOUNTAIN THYME with a text by Ruth Duck. Easy to learn, this piece will be excellent for working on phrasing and expressive elements with the choir.

This a cappella work is written for double choir, although it may be effectively performed with a limited number of singers. The listener will not soon forget the dense, full sound and creative interplay

A deeply spiritual major choral work, with original texts by Terry York and original music by Taylor Davis, Return to Me takes us on a journey through the traditional Stations of the Cross.

"The day of resurrection! Earth, tell it out abroad, the passover of gladness, the passover of God..." The tune ELLACOMBE is matched with a familiar text to create an exuberant, celebrative Easter anthem.

This original composition for handbells takes the listener from a sorrowful opening to a final joyous resolution, symbolizing the journey from confession to forgiveness. The use of optional handchimes