The great American hymn The Lone, Wild Bird serves as the basis for this arrangement. The work begins with a plaintive alto solo and gradually builds by layering voices. Sensitive arranging and
This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The
A cappella voices sing a challenging but lovely setting of a beautiful text by Rumi in this anthem for SATB voices. All will be inspired by this uplifting plea to be a servant of pure love. This anthem will
This concert Mass setting was originally written for Holy Week but may be performed throughout the year. The individual movements can also be easily incorporated into worship services. They are: I. Kyrie
A minimum quantity of 5 is required on this title.
A traditional English Christmas carol appears in a festive, creative setting with three excellent accompaniment options: organ; brass quintet with timpani and organ; or full orchestra. The varied choral
Bridging ancient and modern, this arrangement of an historic English Christmas carol re-invigorates it with a highly expressive contemporary harmonic palette. The choral texture is a cappella with quite a
Here's a new setting of the Amazing Grace text, written in response to isolation and anxiety brought on by the pandemic. Involved accompaniment and overlapping choral textures make this a truly
This compelling a cappella setting of the 13th-century Latin Eucharistic hymn by Thomas Aquinas is appropriate for both worship and concert. A neo-Renaissance motet with 21st-century harmonies, it contains
Written by a former director of the School of Music at Howard University, this lovely setting of Psalm 130 may be sung a cappella or lightly accompanied by organ or piano. This gem will be a great addition
An original composition for Harp and Organ premiered at the Association of Anglican Musicians Convention in New York City. Needs an experienced harpist. Organ (M); Harp (MD) Includes score and part.
A substantial setting of the Phos Hilaron text, a lamp-lighting hymn of the ancient church. Particularly appropriate for Evensong or Vespers, this anthem was commissioned for the choirs of the
A reissue of a contrapuntal choral anthem by one of the most prominent of African American composers. The text is based on Isaiah 52:7-8 (King James translation), which is a Christmas text but also may be
This piece is based on an intriguing text by Malcolm Guite that explores the many emotions that were present on that first Easter day. A challenging setting for the advanced church choir.
Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.
The three movements of Easter Canticles - Vigil, Crucifixion, and Resurrection - are structured as a triptych after the iconostasis of an Orthodox church. The three panels are meditations on scenes
A joyous setting of Psalm 81:1-2, "Sing to God and Alleluia!" The piece has a stirring organ accompaniment that may be easily adapted for piano. The middle acapella section has a pulsating ostinato
Rich, warm harmonies surround the melody, which passes between voice parts as the piece unfolds. This beautiful a cappella arrangement of the familiar Greensleeves will be a stellar addition to
The familiar Song of Solomon text is framed by modern liturgy and 'For love is of God' (1 John 4:7). All parts share in delivering and supporting the warm melody and rich harmonies, connected by a solo
This is an up-tempo and challenging setting of a gospel favorite. A wonderful festival piece with a fun piano accompaniment!
The composer uses an adaptation of the traditional African American spiritual text but provides new music which is at once introspective, thankful, and triumphant. The slow tempo allows for much expression
This arrangement begins in a quiet, almost otherworldly fashion and alternates between the well-known Holst and Darke tunes as it builds to a stately climax , then recedes again.
Ken Medema's well-known song is given a tour de force a cappella treatment by Kenneth Dake. Requiring eight-part divisi, the choir sings abundant gospel harmonies and doo-wop syllables accompany the