Sacred Choral A Cappella Concert Music

Originally written for the Phoenix Chorale in 2010, this shortened version of Ola Gjeilo's Agnus Dei embraces its peaceful and introspective spirit. The full divisi texture and Latin text are great

Extracted from the oratorio "Of Rivers Within," this lovely chorale setting of text from Isaiah is presented in two versions: the first is set for a cappella mixed choir, and the second includes a soprano

Modern cluster harmonies within an a cappella texture, this setting of Christian Robert Shockley's text is inspired by the writings and sayings of Mr. Fred Rogers. The SATB texture features some divisi and

This extremely powerful and moving piece conveys a text of sorrow and pleading and will be a great challenge for university and community choirs.

Meaning "Blessed are those who hunger," Beati Qui Esuriunt contrasts a peaceful, chant-like introduction and coda with an energetically rhythmic middle section that illustrates how our longings and

This expressive work for divisi choir is composed of smooth lines and beautiful part-writing accompanying the traditional Latin text. The composer takes singers on a journey through the fullness of color

Forming from a single unison pitch, this work builds into five parts of full harmony on the traditional Latin text. The Soprano 1 part opens with the opportunity to feature a soloist, and the gorgeous

Victor Herbert's renowned text receives a novel and effective musical setting in this SATB a cappella choral fanfare. Stirring and energetic, it conceives each phrase of the text in its own right, employing

The initial use of the Scottish snap rhythm becomes a recurring motif throughout the piece. Strong, almost fanfare-like declamations of the Isaiah 40 text alternate with imitative sections and soaring text

Rhythmic energy abounds in this exciting setting of a simple "Alleluia" text. Set in 10/8, the asymmetrical meter gives a repetitive groove that is engaging and fun to sing for each voice part. Dynamic

Written for the 2018 Advanced Women's Choir Consortium Commission Partners, this beautifully crafted work for six-part treble voices with a few solo passages uses the traditional Latin text set to original

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

Useful in a wide variety of circumstances including as a Palm Sunday introit or procession. It is also a great teaching piece for a school group or choir festival. Finally available for double TTBB chorus,

Looking for something completely different with a traditional Latin text? Explore three different choral textures in this unique composition for mixed or treble choirs. An opening section of homophony

This short a cappella work features the traditional liturgical text from the fourteenth century and has been set here in a neo-Renaissance style. Ideal for younger and developing mixed choirs, it will help

Styled as a musical meditation, the varied textures of this work develop through clearly segmented characters, dissolving into the gentle sounds of small bells in the end. The character of the Gregorian

Justin Miller, the amazing conductor of the Westminster Men's Chorus, launches his choral series with this beautiful work by Richard Burchard. This is a complex piece with multiple divisi, two solo parts

The artistry and sophisticated techniques of the composer are showcased here in this aspiring work. Ascending vocal lines imitate praises being lifted while rhythm abounds. A challenging work that is worth

A moving a cappella setting of the famous text from Matthew 6. Originally written as a TTBB anthem, this new SATBB voicing is every bit as moving and successful. The 3/4 time closing section is more

"Grant us peace" is a phrase that is uttered in Latin at the end of many liturgical songs. The beautiful melody that carries these words evokes the peace it speaks of, making this an outstanding concert

Exquisite voice leading in an a cappella setting of a beloved Latin text. This is a modern choral harmonization with cluster chords and an effective use of dissonance and musical tension in a smooth choral