Sacred Choral Concert Music

Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

Three verses of the intimate and prayerful Latin text O nata lux de lumine are employed for this lovely a cappella setting. Suitable for Christmas or general programming, this work for mixed choirs

This festive original setting of the traditional Latin text captures the essence of joyful admiration of God. Both solemn and majestic, pensive and jubilant, the a cappella sonorities expressed and explored

Mixed scriptural texts in Latin, German, and Basque are unified into a single and universal musical language in this piece. Spacious vocal architecture, tasteful dissonance, mixed meter, and skilled voice

Rhythmic and syncopated, this driving and energetic portrayal of two angels clamoring over one another to see whose praises are the loudest explores themes of listening and accepting that we are more alike

This setting of the opening and closing verses of Psalm 133 paints a scene of unity. The Spanish text and involved piano accompaniment round out this study of harmony and repose.

The pleas for intercession that highlight this famous text are painted in aching colors by an expressive keyboard accompaniment and close vocal harmonies. Sensitively set independent vocal lines and musical

An ideal opener for concerts or festivals, this energetic piece has a memorable melody and lively rhythmic elements. The opening and closing sections offer a syncopated motive, while the middle section

An ancient Irish folk hymn is transformed into a breathtaking modern choral experience in this arrangement for divisi mixed choirs from Voctave's arranger. Innovative jazz-influenced harmonies and a

Beginning with a solo or small group of singers, this choral setting of a moving Hebrew prayer from the Shabbat morning service provides ample opportunity for expressive singing and melodic artistry for

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

Punctuated by handclaps and a rhythmic mixed meter setting, this dynamic original would make a fantastic opening number or festival selection. With a school-friendly Latin text, and a contrasting lyrical

"Death, thou art welcome to my arms attended by a thousand charms..." The text dates back as far as 1818 and speaks to the human desire for a peaceful end to life in this exciting and contemporary setting

Originally written for her induction into the Accademia Filarmonica di Bologna, Marianna Martines' setting of Psalm 110 is often considered her greatest choral work. This arrangement of the first movement

Beautiful modern a cappella divisi harmonies set this short text in both Latin and English that encourages us all to find the hope within. Sections alternate between serene slow-moving harmonies and quicker

Using the traditional Agnus Dei text, this expressive setting provides an opportunity to work on choral tone, rubato, and legato singing. A rich melody ebbs and flows over the colorful harmonic palette

With text from the traditional Latin Mass, this modern a cappella work captures the feeling of a rushing current throughout. Layers of ostinatos and vocal effects along with some simple body percussion

These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord

The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant

Representing a rich diversity of styles, this impressive collection of 12 original choral works and adaptations from the classical canon all feature SATB mixed voices and solo cello. Each selection can

Davison yet again applies his Baroque-like style in this rhythmically charged original that is perfect for developing voices. Altos and basses share a part as do the sopranos and optional tenors, making