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O Setting Sun is based on a text adapted from Walt Whitman's much longer poem Song at Sunset. The baritone soloist acts as narrator, singing noble recitatives praising the sun and the hour
The second movement in "A Whitman Triptych," What Is the Grass? is an adaptation of a much longer poem - one of Whitman's deepest and most mysterious. The musical setting follows Whitman's
The third and final movement from Conte's "A Whitman Triptych," Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The tone of this movement is rich and
This arrangement for SSAA chorus is fromthe original set, Due West for SATB chorus which was commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlberg is in a
Set for SATB chorus, SATB soloists, and keyboard with optional orchestra: two flutes, two clarinets, two horns, two bassoons, and strings, this work is accessible and gratifying for high school and
This Christina Rossetti text mystically describes death as a dreamlike state. This leaves composer Richard Burchard an excellent palate for an impressive musical composition. His music is moving, ethereal
Using the sonnet that was written by Emma Lazarus to raise money for the Statue of Liberty as the text, this composition with fairly free tonailty and close harmonies offers the mature ensemble an
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"catch me in my youth e'er passing, leave not a single breath in want of mem'ries..." As the poem encourages us to live every moment fully, the musical setting reinforces this idea in both a pensive and
Featuring the poem Everyone Sang by Siegfried Sassoon, written shortly after the end of World War I, Armistice 1918 is a celebratory work stemming from themes of victory and revolution.
Gaur Akelarre tells the story of a coven of witches and warlocks preparing for the night through energetic rhythms, interesting melodic leaps and harmonic passages. Sung entirely in Basque (IPA
Premiered by the famed Indianapolis Children's Choir, this is a fresh and appealing contemporary work by Pulitzer Prize-winning composer Caroline Shaw. Community-based treble choirs through high school and
With a thoughtful text by George Herbert, this a cappella composition is harmonically challenging and makes use of mixed meter. Well crafted, engaging and musically rewarding, this is a great composition
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Teasdale's famous poem is dramatically defined in this musical gem. With lots of color and great expressive dictates, mature choirs will revel in the challenge of this beautiful composition.
Beautiful harmonic writing accompanies this Langston Hughes text. A cappella with an abundance of close harmonies and nice distribution of melodic ideas throughout the voices will make this a favorite for
This original composition combines the text from Rosy's Journey, a short story by American author Louisa May Alcott, with incessant pulsing rhythms that reflect an urgency in the accompaniment to
"If we can be happy and live well without causing unnecessary harm, why wouldn't we?" This simple and yet profound question is an invitation for choir, listener, and all of us in this beautiful new work.
Inspired by the scene of a place on a island, here is a tone poem that paints a vivid picture of the bay and the hour and the emotions that surround it all. With free tonalities and waves and water in the
This new composition explores the power of the sea-wayfarer goddess Selene and her power to harness the moon's influence over the tides. It uses a very contemporary a cappella texture, vocal glissandos, and
Commissioned by Chorus America for the Boston Children's Chorus in memory of the first anniversary of the Boston Marathon bombing. Berry's text describes the uncertainty of the human condition that can be
Described as "brilliant" and "heartfelt," this is the final movement of Craig Hella Johnson's epic work "Considering Matthew Shepard," a tribute to the young gay man who has become an American icon and a
With long sections of aleatoric sounds, a viola scordatura and a text filled with duality of imagery, this is an anthem for the advanced and adventurous choir. The viola (or cello) is not an accompaniment
Close harmonies, free tonality, long flowing phrases, and a cappella singing are facets of this setting for the Sara Teasdale poem Barter. A challenging but musically rewarding work for an advanced
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