Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
Here is a bright arrangement of this well-known hymn of the faith. The piece will be appropriate for special music or as an offertory, especially during the Thanksgiving season.
This set of three hymns will appeal to trombone and piano players looking for something unique. With elements of revival style, blues, and 19th-century parlor song, these stylized pieces are deeply
Molly Ijames dramatically set this enduring hymn to excite and engage instrumentalists and congregations. Beginning with a sense of awe and wonder, this versatile selection gradually builds to a grand,
Ten hymns of praise suitable for use at various times throughout the year. Each flexible arrangement can be played by any number or combination of instruments, ranging from solo instrument (with piano or CD
This second volume focuses on Advent, Christmas, Lent, and Easter, but some titles are suitable for general worship as well. Titles include: O Come, O Come, Emmanuel; Appalachian Carol; God Rest Ye
Intermediate-level musicians will shine with these solos. Includes: To God Be the Glory; Be Thou My Vision; Marching to Zion; A Mighty Fortress Is Our God; The Solid Rock; Blessed Assurance; I Love to
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Here are six simple arrangements of traditional hymns for young instrumentalists. Each book contains a piano part plus detachable solo and duet parts. Keys allow any combination of brass and woodwinds to
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece
Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to
This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while
This is a straightforward yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.
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