A set of pieces for organ and brass quartet (two trumpets and two trombones with optional French horn). The pieces are antiphonal in nature, with the organ mostly in dialogue with the brass. A must for your
A quartet for two trumpets and two trombones the piece begins in a straight forward fashion. A second verse uses a duet statement and the adds fanfare flourishes. Transition material uses imitation and a
This chorale prelude is in the form of a fantasia as it uses phrases from this hymn interspersed with a lot of free material. It can serve as either a prelude or postlude. The trombone uses a syncopated
The tune BEACH SPRING is the basis for this festive hymn setting. The incorporation of flute brings out different qualities in this grand hymn tune and will bring variety and freshness in the singing of the
Availability Information
This item has been discontinued and we can only sell our remaining stock. Add to cart to check availability.
This set of hymn flourishes will elevate any service. The brass writing and organ arrangement are festive and brilliant. Each piece in the collection can stand alone in concert or in a service, or serve as
Following on the heels of his other successful books in this series, Mark Shepperd gives us another fine collection of hymn fanfares for brass, percussion and organ. This collection includes fanfares on
A brass quartet that begins with delightful counterpoint and then breaks into the tune in the trombone with a horn counterline which in turn is punctuated with the trumpet lines. The middle section opens
This festive congregational hymn setting is an expanded version of the composer's popular organ setting of the tune LYONS. The piece was originally written to serve as a grand processional piece but can
A dazzling suite for brass quartet and organ based on three of the great hymns from the earliest days of the Reformation. EIN FESTE BURG opens with dramatic downbeats in the organ, punctuated by majestic
An original composition in three movements for brass quartet and organ. Expansive, flowing lines for the brass are played in dialogue with the organ in the opening Invocation, followed by a second