This heartfelt and poignant setting of the traditional Latin text "And on earth, peace" features soaring melodies and rich harmonies. The middle section further develops the text with borrowed tonality for
Here's a quintessential bossa nova on just three Latin words from the Kyrie mass text. Bossa nova is a musical genre that began in Brazil in the 1950s that consists of the combination of samba rhythms, jazz
For the emerging choir, this energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its
Adapted from a Bach cantata, this joyful work will allow younger ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression. A superb
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Joyful Latin phrases echo back and forth in this spirited original work for young singers. Well-written melodies combine in joyful harmony building to a buoyant final descant, creating a brief section of
Lightfoot's expressive and poignant setting of the traditional Latin text, "on earth, peace," is graced by sweeping melody lines, a contrasting middle section in minor mode, and a pensive, thoughtful
Whether performed on risers, as a processional, or encircling the audience, this celebratory fanfare is the perfect opening number for concert or festival and is appropriate for use throughout the school
Joyous and uplifting, this vibrant setting of the familiar Latin text is a concert and festival winner. The 6/8 meter is ideally suited to a buoyant style, creating a light, sophisticated dance-like feel.
This luscious and sensitive setting of the traditional Latin text exudes a gentle simplicity, with soaring melodic lines and a fluid accompaniment. A pronunciation and translation guide is provided.
This stunning work for young and developing voices is simply beautiful, with easy, lyrical melodic lines and a sumptuous harmonic texture. The three-line Latin text, from the requiem mass, is equally
Charles Gounod's beloved Ave Maria, based on a prelude from J.S. Bach's The Well-Tempered Clavier, is now available for developing choirs! The melody passes through all the voice parts,
This lovely original pairs a simple setting of the traditional Latin text with a countermelody in the accompaniment of Bach's Air on the G String. The Air appears first in the piano
An energetic pulse and percussive hand claps fuel the crisp energy in Lightfoot's exciting setting of the familiar Latin text. This work, including a pronunciation and translation guide, is an ideal choice
This is gorgeous! With a text from the Hebrew liturgy, and based on a Jewish folk melody, this rich setting is a prayer for peace. Perform it with the sensitive piano accompaniment or add a small consort of
With contrapuntal counterlines and vocal parts limited to one octave each, this simple Latin text setting makes it easy for two-part treble and men's groups to make a positive impression! The optional
Add some flourish to your next concert by programming this jubilant original featuring a macaronic text of Latin and English. Some accessible mixed meter adventures are sprinkled throughout this dynamic
A beautiful, tender setting of the traditional Latin text that features delicate melodic lines and a fluid accompaniment. The contrasting middle section provides interest and movement, and the echoed
Appropriate for any festival or concert performance, this highly energetic piece provides an accessible opportunity for young singers to experience success. This is a great teaching piece and a great
Here is a lovely introduction to the ancient Greek text for beginning singers. The optional flute part adds much to the simple beauty of this endearing original, equally effective for either unison or
This easy, lyrical setting of the well-known Latin text, translated "Light Eternal," is perfect for young treble voices. Whether your students are ready to sing a cappella or with accompaniment, the choice
Don't miss this accessible arrangement of the famous chorus from Handel's oratorio "Judas Maccabaeus." The piano accompaniment is not difficult, and the two-part voicing brings the work within the reach of
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