In the tradition of Neal Hefti's classic L'il Darlin, 3am is a warm ensemble ballad that opens with a brief written solo for piano and features improvised solos for muted trumpet and tenor sax. It
Jazz groups with a strong lead alto sax player will enjoy this ballad in film noir style. Its smoky harmonies and wistful melody are broken up with a double-time swing section before a powerful reprise at
Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble
This beautiful ballad made famous by the great Etta James makes a perfect change of pace for any concert. Featuring a sultry tenor saxophone solo sprinkled with melodic replies from other sections and
At the End of the Day is an exceptional ballad solo feature for alto sax or trumpet/flugelhorn. The solo and rhythm section parts are completely written and the ranges are modest with the
Featuring an alto saxophone or trumpet player in a tasty, rock ballad setting, this creative original features a gorgeous solo theme that is completely written. The ensemble provides a lush foundation
Pat Metheny is known for his beautiful melodies, and Back in Time is no exception. Featuring a flugelhorn or trumpet soloist throughout on a written-out solo with chords included for improvisation,
With a tip of the hat to the great Neal Hefti, A Ballad For Basie is exactly the type of ensemble ballad that Count Basie was famous for. Featuring mostly full ensemble work, this one asks for
Bayou Farewell is an original, melancholy, Pat Metheny style ballad with straight eighth notes and a beautiful melody. Graham Breedlove's use of color is superb in this solo feature for soprano
Here's a beautiful bluesy Fats Waller ballad originally from 1929 that's very playable by young jazz groups. The tempo is around 82 bpm with a straight-eighth ballad feel, there are smooth and
This gorgeous ballad that features trumpet or flugelhorn is now available to your band. Written in memory of Blue Mitchell, this tune was recorded by Louie Bellson on London Scene. Not only does it
In 1959 Mercer Ellington assembled his dad's working ensemble in a New York studio to record an album known as "Colors in Rhythm." The idea was to take a few of Mercer's originals, along with some of Duke's
You simply cannot go wrong with this Matt Harris chart on this great jazz ballad ideally set as a tenor sax solo feature! The tempo is about 98 bpm with the tenor solo written and improvised.
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