Jazz groups with a strong lead alto sax player will enjoy this ballad in film noir style. Its smoky harmonies and wistful melody are broken up with a double-time swing section before a powerful reprise at
Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble
This beautiful ballad made famous by the great Etta James makes a perfect change of pace for any concert. Featuring a sultry tenor saxophone solo sprinkled with melodic replies from other sections and
At the End of the Day is an exceptional ballad solo feature for alto sax or trumpet/flugelhorn. The solo and rhythm section parts are completely written and the ranges are modest with the
Featuring an alto saxophone or trumpet player in a tasty, rock ballad setting, this creative original features a gorgeous solo theme that is completely written. The ensemble provides a lush foundation
Baby Cha-Che is a contemporary rock ballad solo feature for alto or tenor saxophone. The chart has a warm quality, full of optimism and emotion. The interesting harmonies make this work
Pat Metheny is known for his beautiful melodies, and Back in Time is no exception. Featuring a flugelhorn or trumpet soloist throughout on a written-out solo with chords included for improvisation,
Bayou Farewell is an original, melancholy, Pat Metheny style ballad with straight eighth notes and a beautiful melody. Graham Breedlove's use of color is superb in this solo feature for soprano
This gorgeous ballad that features trumpet or flugelhorn is now available to your band. Written in memory of Blue Mitchell, this tune was recorded by Louie Bellson on London Scene. Not only does it
You simply cannot go wrong with this Matt Harris chart on this great jazz ballad ideally set as a tenor sax solo feature! The tempo is about 98 bpm with the tenor solo written and improvised.
Cathy's Army is a tender ballad featuring solo trombone. The other trombone parts are optional, making this a perfect chart for a band with incomplete instrumentation. In fact, the solo part can be
Looking for a perfect change-of-pace for your next program or festival? This beautiful ballad gives you the opportunity to showcase either your alto sax, trumpet or flugelhorn soloist. The pensive melody is
Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured
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