Here's a straight-ahead, rockin' bari sax solo feature set at 156 bpm. The ensemble has a lot of exposure and the writing has a ton of style. The changes are a variation on the blues form with a little bit
Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured
The title is a good reflection of the mood of Strollin', orchestrated here as a baritone sax feature, with an optional written bari solo. The light character of the piece is helped by the clarinet
Orchestrate Your Inbox
What are your interests? Fine-tune your email so you receive only what's important to you.
Thank you! Please check your inbox. We've sent an email with a link to update your preferences.
Pepper Music eClubs
Everything you need for the upcoming season and special recommendations from our editors! Each club is sent monthly (unless otherwise noted).
Cued In - The Pepper Blog
A weekly digest of insightful articles, helpful resources, and interviews with leading composers and arrangers
Subscribe to Cued In
Thanks, you're almost done! Please check your inbox and click the link to complete your subscription.