Jazz Ensemble with Vocal Solo

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for "The L.A. Treasures Project," this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually builds to

Peggy Lee made this sizzler famous. Make sure you have enough fire extinguishers on hand just in case. Vocal solo in A minor. modulating to Bb minor.

For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965

Written with comfortable ranges and at a moderate tempo, this vocal feature will be at home on any concert program. Vocal in A-flat.

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs for

This clever and catchy jazz standard has been notably recorded by Diana Krall, but also in the past by Nat King Cole and Louis Armstrong. Arranged in a comfortable swing style, this is a terrific

A patriotic anthem for the ages, this contemporary ballad has already established itself as a standard! Beautifully scored for vocal soloist and jazz ensemble, this arrangement makes a powerful statement

Going in Circles is the only vocal chart available in Jeff Coffin's extended big band catalog. With lyrics by brilliant jazz vocalist Liz Johnson, this tune jumps between an easy Monk-like waltz

Frank DeVol's arrangement of Goody, Goody may not be as adventurous as some of the others that were recorded by Ella Fitzgerald throughout the 1950s and 1960s, but what it lacks in innovation it

Ray Charles' good-time, happy, swingin' and infectious tune is immortalized here by Victor Lopez as a vocal solo feature chart with lyrics provided to accommodate female or male vocalists. The

Written in a George Shearing style, this Frank DeVol arrangement was recorded by Ella Fitzgerald in 1960 for her "Ella Wishes You a Swinging Christmas" album. The chart is written for AATTB saxophones

This sentimental Christmas favorite will never go out of style, and Dave Wolpe's satisfying arrangement is a great way to feature your vocalist during the holidays. Vocal in G.

Adele's chart-topping song of the year is skillfully arranged here by Paul Murtha as a power ballad for jazz ensemble and vocalist. This superb setting can also be used as a feature for an alto saxophone

From the recording by Shirley Horn in 1992, this wonderful ballad went on to become her signature song. This version for vocalist with jazz ensemble is a touching and sensitive tune for any soloist. In the

All jazz students should know this great tune! Dave's straight-ahead, swingin' vocal solo feature is written in two keys to accommodate both female and male voices. There are also brief solos for trombone

Exploring a wealth of overlapping instrumental colors, this very delicate and superbly orchestrated setting made its first appearance recorded by Diana Krall. A study in tension and release, there is a

Feature your vocal quartet or SATB vocal ensemble with your jazz ensemble! Plus, this chart also includes an additional part for vocal soloist if you prefer. A medium-swing arrangement by Darmon Meader, the

Originally released in 1962 by Ella Fitzgerald for her album "Ella Swings Gently with Nelson," this collaboration between Fitzgerald and Nelson Riddle provides a highly effective treatment of a standard