All jazz students should know this great tune! Dave's straight-ahead, swingin' vocal solo feature is written in two keys to accommodate both female and male voices. There are also brief solos for trombone
Exploring a wealth of overlapping instrumental colors, this very delicate and superbly orchestrated setting made its first appearance recorded by Diana Krall. A study in tension and release, there is a
In 1960 Dean Martin recorded the album "This Time I'm Swingin'" with studio orchestra arrangements supplied by Nelson Riddle. Here is the arrangement of I Can't Believe That You're in Love with Me
Feature your vocal quartet or SATB vocal ensemble with your jazz ensemble! Plus, this chart also includes an additional part for vocal soloist if you prefer. A medium-swing arrangement by Darmon Meader, the
Originally released in 1962 by Ella Fitzgerald for her album "Ella Swings Gently with Nelson," this collaboration between Fitzgerald and Nelson Riddle provides a highly effective treatment of a standard
Penned by Jimmy McHugh and Dorothy Fields and first introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady
Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon Meader, the musical director and chief arranger of the jazz vocal group New York Voices. This stellar tune is
Serving as a longtime go-to vehicle for improvisation, Gershwin's I Got Rhythm receives an outstanding and unique treatment from Nelson Riddle for Ella Fitzgerald's 1959 album "Ella Fitzgerald
Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Mossman uses some harmonic twists and turns, interesting and
This great Nelson Riddle studio orchestra arrangement was written for the 1961 Ella Fitzgerald album "Ella Swings Brightly with Nelson." The chart features all the classic Riddle hallmarks including
This tuneful Jimmy Van Heusen and Johnny Mercer ballad from 1939 has remained popular through the years and is a particular favorite among jazz musicians. Beautifully set for vocalist and jazz ensemble in a
Here's the classic Neal Hefti big band arrangement from the 1962 Frank Sinatra and Count Basie collaboration Sinatra-Basie. This is vintage Neal Hefti: mellow, but swinging lines and enough space to afford
Adapted from his Grammy winning arrangement for Queen Latifah, here is a smokin' swing chart that features a relaxed vocal line accompanied by absolutely blazing figures from the band. An exceptional
Originally arranged for Ernie Andrews, this hard-swinging chart provides a real workout for band and vocalist alike. The blues-infused style features interplay between the singer and the band as well as
Perhaps no song is associated with Frank Sinatra more than this one! In Los Angeles on January 12, 1956 Frank Sinatra recorded Nelson Riddle's arrangement of Cole Porter's song, I've Got You Under My
Now for the first time in print, this publication is based on Nelson Riddle's original set of parts used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the the Sands
This wonderful chart on the Harold Arlen standard was the first arrangement Nelson Riddle wrote in his own style for Frank Sinatra in 1953. The story goes that after hearing this chart, Sinatra decided
Released on 1965's "Ella At Duke's Place," this arrangement of a three-way collaboration by Duke Ellington, Billy Strayhorn and Gerald Wilson casts both Ella Fitzgerald and the Ellington band in an unusual
Written for Ella Fitzgerald and the Count Basie Orchestra, Nelson Riddle's arrangement of one of the oldest jazz standards is a very unique entry into the great arranger's storied career. Although it
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