You know it, you love it! The opening motive is very catchy on this authentic sounding chart on the rock classic made famous by the group Chicago. Master arranger Mike Story works his magic to create an
Paul Murtha's take on Meghan Trainor's smash hit features a catchy melody, a strong rhythmic pulse, hand claps, fun instrumental effects, and a hint of doo-wop. Arranged here in an easy setting for younger
One of the iconic early hits by the Beatles, this catchy tune features an immediately recognizable melody and a driving swing/shuffle style. Included in this version for young players is the famous
You guessed it, Alligator Boogaloo is a funky rock chart with a boogaloo groove played around 136 bpm. It's a simple blues with a great melody introduced by alto and trumpet. Written solos
What a great title! This fun original is clearly a great rock arrangement for young jazz bands. Additional features include specific articulation notations, easy brass ranges, a written tenor sax solo (the
Here's a Wes Montgomery bossa/rock tune that grooves along at around 145 bpm with the melody line played by tenor 1 and trumpet 2. With very playable ensemble sections and hits,
This hard-hitting, heavy-duty rock version of Angels We Have Heard on High will be the highlight of your next holiday concert! The fully scored ensemble writing is well within the capabilities of
Journey made this a hit in 1980 and the cast of Glee did it again in 2010. This solid chart is built on a driving eighth-note pulse and requires no solos. Sure to sound great with limited rehearsal time, it
Originally recorded in 1961 by Jorgen Ingmann, but better known for the 1981 recording by The Sugarhill Gang, this funky hit remains a favorite. Feature your drummer or an additional percussionist (bongos,
Made famous by The Count Basie Orchestra, here is a great-sounding yet playable version of this standard for developing bands. It includes feature spots for every section and optional written or improvised
This Mike Collins-Dowden swing-style original features a hip melody, interesting call-and-response passages between the saxes and brass, nice dynamic contrasts, a written or improv solo for trumpet, and
Here's a great vehicle for teaching your younger jazz ensemble how to swing. Originally a blues tune from 1919, this familiar song has become an often recorded jazz standard. John Berry's updated version
This familiar Richard Rodgers and Lorenz Hart jazz standard has certainly retained its timeless quality even today. Skillfully arranged for younger players in a medium swing style, this chart features saxes
Wow, this accessible swing chart has it all... a medium-up tempo, cool melodic lines, textural variety, mature harmonies, easy brass ranges, written or ad lib solos for tenor 1 and trombone 1, and a highly
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