This is the perfect Latin chart to program in the middle of your set. The features include a captivating melody, ample written or improvised solo sections for trumpet and alto saxophone, and an
Here's a big Latin production number in the mold of such classics as Granada, Malaga, and of course, the very popular Malaguena. All the familiar ingredients are here for a powerful
As written by Gloria Estefan and Kiki Santander, this Latin pop tune was a huge hit for Jennifer Lopez. Here, in the hands of Rich Woolworth, it translates into an extremely awesome jazz band chart.
Written for developing groups, Sofrito is a fun Latin chart featuring a catchy stop-time melodic presentation, written or improvised solos for trumpet 2 and lead alto (with
Un dia en Savannah (A Day in Savannah) is a Latin jazz style song. Up tempo and energetic. It features the sax section with a harmonized solo section. The trumpets accent important parts during the
Clara's Mambo is a song in 'mambo type" style "aq la Perez Prado." Fun and very danceable song. Solo section provided for the brass players mainly in the chord of Bb7, lots of room to improvise.
Pocket Samba is based on the chords of Chopsticks and has been transformed into a fun and vibrant samba that players will love to play and audiences will love to sing and clap along to. It
One Day Soon has a unique harmonic flavor which supports an intensely descriptive form and an almost pop melody and groove. There are many styles included in this chart - a chorale-like
A Tempo Di Salsa (Salsa Groove Tempo), is an energetic salsa/Latin jazz groove with rich harmonies and syncopated rhythms. The tempo moves a little faster than normal pieces and the lead trumpet
"Tirandote un Beso" (blowing you a kiss), is a powerful cha-cha groove with a lot of energy. The tempo moves nice and easy at 130 bpm and the lead trumpet range stays within A on the staff and A above the
A long-stemmed rose may well come in handy for this cheeky tune. Warning: We Tango Tonight, with its sinewy melody, will stick with you long after you play it, and your audiences may request an
This small-group chart is based on the big-band chart Mambo over the Mountain, also by Rick Hirsch. The inspiration for this one is based on the great mambos of Spanish Harlem and includes a catchy
This catchy mambo is built almost entirely on the rhythmic figure clapped in the first two bars. Its authentic mambo flavor is a blast to play. After two bars of hand claps, it's winds only, then
You can't help but smile when you play and hear Tonight, We Tango. At around 112 bpm, this tongue-in-cheek chart is tons of fun and has a melody that just won't go away, plus the groove is one that
Song for Silver is a Latin/rock original that provides a great opportunity to introduce young players to jazz legend Horace Silver. It's based on the chord changes to Song for My
Inspired by the music of Brazil, this chart is an upbeat, catchy, medium-tempo samba that's impossible to get out of your head. Written or improvised solos for tenor saxophone and trumpet lead into a vamp
Famously recorded by Louis Armstrong, this chart is set in a moderate cha-cha style for a creative version of a classic melody. Even in this flexible instrumentation, little big band format there is an
Composed for Latin jazz master Ray Baretto, this appealing cha-cha is based around a moderate groove and a very melodic theme. The variety in scoring is beautifully blended between showcasing individual
Originally recorded in 1969, this iconic Latin rock tune composed by Sonny Henry helped boost the success of Santana and has remained a familiar classic ever since. This solid arrangement for younger
The Dork is an energetic Latin/rock tune that will be a band favorite. After a romping tutti section the arrangement opens for solos. 1st trumpet to high C. Includes a vibes part
With a street party atmosphere, here's a high-energy Latin chart that fuses Tito Puente with Arturo Sandoval and the modern writing of Gordon Goodwin. After the rhythm section sets up a
Arranged in an easy flowing bossa nova style, here is an effective version of this wonderful standard by jazz master Benny Carter. Featuring solid and creative scoring for the entire ensemble,
Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording by the Mark Taylor big band. With its easy going bossa nova style and gently
Nobody does cha-cha like Michael Mossman. This inventive original features a smooth harmonic structure and a nice blend of innovative melodies with carefully crafted accompaniment figures. The solo