This chart is way up on the "fun meter"! Mike's playable arrangement doesn't sacrifice any of that classic swing era sound and style. The trumpet section is the primary featured section; however, the saxes
Perhaps the most well known version of this flag-waver was recorded by "The King of Swing," Benny Goodman. This very easy arrangement from Robert Woods works well at a variety of tempos and makes an
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This Peter Blair chart on the Neal Hefti/Count Basie classic is a wonderful adaptation for younger jazz groups. It does its Basie thing with a light and cool swing feel, includes nice changes in
Close to the original, but somewhat simplified, this burning rocker from the Maynard Ferguson library really sizzles with a driving intensity! The lead trumpet goes up to high D with a couple high E's
Made famous by the Thad Jones/Mel Lewis band, this accessible version has a gospel rock groove that fits perfectly. Played at about 132 bpm with straight eighths, this chart is packed with goodies
Every jazz fan knows it, loves it and has wished it was in print! And now, this quintessential big-band arrangement is finally available! As recorded by the Count Basie Orchestra on their album This Time by
Here's a wonderful update of Tommy Dorsey's classic theme song. It's totally playable by high school jazz bands, yet it also sounds great with college and professional groups. It's written as a trombone
Smooth Jazz Funk meets Swing! Arranged for little big band+ but can be easily performed by full big band. Duration ca. 4:00.Written to feature guitar (as on the audio example) but also includes an optional
As recorded on the great Basie-Straight Ahead album of 1968 by Count Basie, this swing outing features solid section and full ensemble writing, brass buckets, sax scoops, drum fills, and piano in the solo
A great jazz standard played around 178 bpm, this swing chart features alto sax with a suggested written solo provided, and a drum solo played in between band hits. The lead trumpet range is to written
This great Kenton classic, as recorded on the album Live from Redlands University, is a swinging, happy chart which allows for lots of blowing space and is combined with great ensemble sections. This chart
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