Afrobeat is a groove-oriented solo by Mike Hodges. It earned him 1st place at the PASIC 2004 solo competition (he also won the year before), and appears in the tenor solo compilation book,
For percussion (solo) & amplified guitar. First Edition, custom print. Commissioned by the Fromm Foundation for Southwest Chamber Music, Encounters XV uses the amplification of the guitar to
A compelling, groove-oriented piece featuring a solo marimbist accompanied by a percussion quartet. The piece moves through several different feels, time signatures, chord progressions, and key centers.
A virtuosic work for the advanced percussionist.
Matt Altmire was part of some legendary SCV tenor sections in the early 90's. His solo Green Eggs & Flam earned him the 2nd place title in the 1992 Drum Corps International Individual &
Grooves & Chops O'Plenty is an apt description for its composer, Brian Perez. Easily one of the best players to come through the Santa Clara Vanguard (2000–2004), if not DCI, Brian has
Inspired by the polyphonic style of Cage's Constructions for percussion ensemble.
A four-minute work for 5 toms, tam-tam, and marimba, all played by one percussionist. A contemporary work.
Colin McNutt is one of the hottest names in marching percussion today. Currently the caption head and arranger for the Cadets Drum & Bugle Corps, Colin has been at the helm of many great programs over
How's your left-foot clave? Till the Cows Come Home will help hone your Afro-Cuban independence skills in a fun and musical way. Scored for timbales, three cowbells, and three foot pedal
For solo percussion and piano reduction. Originally written for orchestra and percussion, with a subsequent arrangement for wind band and percussion. Commissioned by the National Symphony Orchestra and