Mehteran, for solo timpani, explores the history of the Janissary Corps. The Janissaries were infantry soldiers of the Ottoman Empire. Their music is considered to be the oldest form of military
Mjolner is a concerto for timpani accompanied by either piano or wind ensemble. The music loosely follows the Norse mythology surrounded Thor, God of Thunder, and his hammer, Mjolner. The piece is
Oblivious, for timpani and piano, uses many different sounds and colors throughout the entire composition. The performer must be confident with their sticking skills and their confidence
Perfect Circles is a set of 12 pieces that move through the circle of fifths with the aim of supplementing the current repertoire. The compositions are short and can be learned within a
Petrichor is defined as "a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather." In this piece, Kenyon Williams seeks to contribute something new to
This solo collection is unique in that the grade of each title can be 1, 2, or 3 depending on the decided tempo. This challenges the player to increase tempo in order to improve technique.
Here is a method utilizing advances in technology and tuning gauges to help a percussionist become a competent timpanist for a band or orchestra in a short amount of time.
In Rockin' Pauken, Darin Kamstra explores a variety of timbres and rhythms on timpani that emulate the sound of rock drumset and bass. The words in the title are a play on the near rhyme between
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A solo for melodic timpani, this is a celebration of three characters of nature that live in urban settings. A true challenge for the timpanist, the extreme pedaling demands contrast the delicate music that
These etudes focus on the following five issues on the timpani: Sound Quality, Articulation (and evenness between the hands), Rolls, Intonation, Rhythm and Time.
Originally written in 1986, Suite for Lounge Lizard by Bob Bollman is an impressive tour-de-force for the advanced timpanist. This piece went on to win Bollman the 1986 and 1987 DCI Solo
Here, David Herbert has provided a comprehensive performance analysis for the timpani parts of Mahler's three symphonies. Complete parts are included for practice and performance. The collection is