A three-part madrigal by Thomas Weelkes, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful selection for contest and festival! With hand drum.
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Here is a fantastic resource for introducing madrigals of the Renaissance to the developing ensembles or groups with limited male singers. The five works by Thomas Weelkes are: Come, Let's Begin; Four
Here is the famous madrigal by Thomas Morley in a stylistically authentic performance edition. Ideal for chamber, madrigal, and concert choirs, this cheerful work offers superb opportunities for developing
Joyful cascading vocal lines and "fa la la's" will enliven your treble choir's concert or festival performance! The hand drum creates a dance-like feel in this delightful madrigal edition.
Orlando di Lasso's tuneful villanelle is set here for TBB voices, with Italian text and English subtext. Carefully edited, it is shorter in duration than the original SATB score and includes an optional
The contrasting sections of this light, lilting 16th-century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, consider
John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festival
The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles
Introduce your young mixed choir to the madrigal style with this easy setting of Hassler's lively, dance-like madrigal. Originally written for five voices a cappella, it is revoiced here for three parts
Now available for women's voices, this popular French chanson relates the gossipy conversation of a pair of French housewives as they chatter about their husbands. Dance-like phrases echo back and forth,
The light, dance-like madrigal style of the Tudor composer Thomas Weelkes is offered here in a fine edition for modern choirs. The delightful "fa-la-la" refrain connects the verses for an excellent choral
Introduce your choir to a cappella Madrigal singing with this wonderful Thomas Morley classic designed especially for young singers by Russell Robinson. This edition sounds full and captures all the spirit
Develop your choir's a cappella skills with this straightforward original madrigal that employs traditional harmonies, modest ranges, and lots of repetition, making it a quickly learned piece. An excellent
This sprightly, dance-like madrigal is a great teaching piece! A delightful concert opener, it lends itself well to a processional with voices, hand drum and tambourine. At just under two minutes' duration,
Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the three-part mixed/SAB voicing
In this clever madrigal novelty, 16th-century harmony meets 21st-century technology! It sings the story of a couple falling in love, with some help from Google, Facebook, and Twitter. Performed a cappella
Robert Jones (1577-1617) was an English composer and lutenist who was a prolific writer of songs and madrigals. This delightful example of his madrigal style expresses sadness over the loss of a love. It
This delightful five-voice madrigal from 1604 is outstanding! Echo effects and lots of interplay among the parts make the most of the musical imagery of "running in and out." This is guaranteed fun to
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the "fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-lama-ding-dong's"! Novelty madrigals are rare, and this is
This three-voice madrigal by Thomas Weelkes is full of fun and whimsy, with changes in meter, interweaving vocal lines and a dance-like feel, with optional hand drum. An excellent selection for madrigal
Pierre Certon's dancing and lighthearted work is made more accessible for younger voices with this fine arrangement. The harmonic and textural elements remain true to the original, preserving the frivolity
Excellent three-part writing, right on the mark for young men and women. Teach the song in English before introducing the optional French text, an IPA pronunciation guide is included. When your students are
The seventeenth-century English composer Michael East wrote madrigals, anthems and consorts, including this delightful madrigal now arranged for treble voices. With its intricate and playful voice parts,
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