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Pierre Certon's dancing and lighthearted work is made more accessible for younger voices with this fine arrangement. The harmonic and textural elements remain true to the original, preserving the frivolity
Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant Ancient Aires and Dances for Lute, Suite 1: Balletto to create a light-hearted, dance-like
Orlando di Lasso's tuneful villanelle is set here for TBB voices, with Italian text and English subtext. Carefully edited, it is shorter in duration than the original SATB score and includes an optional
This is a surprising departure from what you'd expect when you read the title. An intriguing mix of old and new, Kirby Shaw's treatment of the Thomas Morley madrigal retains the original vocal parts in
Enjoy this lighthearted Renaissance madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, optional
This tuneful work from the Renaissance is uptempo and bright. Clarity of line and a firm harmonic base make the work easy to learn and fun to sing. Add the optional percussion instruments to give it even
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