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Now available for women's voices, this popular French chanson relates the gossipy conversation of a pair of French housewives as they chatter about their husbands. Dance-like phrases echo back and forth,
The seventeenth-century English composer Michael East wrote madrigals, anthems and consorts, including this delightful madrigal now arranged for treble voices. With its intricate and playful voice parts,
The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles
Joyful cascading vocal lines and "fa la la's" will enliven your treble choir's concert or festival performance! The hand drum creates a dance-like feel in this delightful madrigal edition.
This delightful five-voice madrigal from 1604 is outstanding! Echo effects and lots of interplay among the parts make the most of the musical imagery of "running in and out." This is guaranteed fun to
This sprightly, dance-like madrigal is a great teaching piece! A delightful concert opener, it lends itself well to a processional with voices, hand drum and tambourine. At just under two minutes' duration,
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the "fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-lama-ding-dong's"! Novelty madrigals are rare, and this is
The choral classic Is Est Bel et Bon is now arranged for three-part choirs with a fresh, gender-neutral text! Independent and smoothly contoured vocal lines contribute to an engaging arrangement
Perhaps the best-known madrigal by John Farmer, Fair Phyllis has a light, buoyant quality appropriate for women's voices. Highly imitative, with accessible ranges, this will let your singers enjoy
The contrasting sections of this light, lilting 16th-century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, consider
Pierre Certon's dancing and lighthearted work is made more accessible for younger voices with this fine arrangement. The harmonic and textural elements remain true to the original, preserving the frivolity
Daniel Hughes has arranged this delightful English folk song as a madrigal. A jovial piece that encourages partying with a most proper spirit, the music serves well at any concert or madrigal dinner feast.
Introduce your young mixed choir to the madrigal style with this easy setting of Hassler's lively, dance-like madrigal. Originally written for five voices a cappella, it is revoiced here for three parts
Robert Jones (1577-1617) was an English composer and lutenist who was a prolific writer of songs and madrigals. This delightful example of his madrigal style expresses sadness over the loss of a love. It
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