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Pierre Certon's dancing and lighthearted work is made more accessible for younger voices with this fine arrangement. The harmonic and textural elements remain true to the original, preserving the frivolity
Orlando di Lasso's tuneful villanelle is set here for TBB voices, with Italian text and English subtext. Carefully edited, it is shorter in duration than the original SATB score and includes an optional
A three-part madrigal by Thomas Weelkes, this sprightly dance-like piece is easily learned and delightful in performance. A wonderful selection for contest and festival! With hand drum.
The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the "fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-lama-ding-dong's"! Novelty madrigals are rare, and this is
Introduce your young mixed choir to the madrigal style with this easy setting of Hassler's lively, dance-like madrigal. Originally written for five voices a cappella, it is revoiced here for three parts
The seventeenth-century English composer Michael East wrote madrigals, anthems and consorts, including this delightful madrigal now arranged for treble voices. With its intricate and playful voice parts,
This sprightly, dance-like madrigal is a great teaching piece! A delightful concert opener, it lends itself well to a processional with voices, hand drum and tambourine. At just under two minutes' duration,
Joyful cascading vocal lines and "fa la la's" will enliven your treble choir's concert or festival performance! The hand drum creates a dance-like feel in this delightful madrigal edition.
Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant Ancient Aires and Dances for Lute, Suite 1: Balletto to create a light-hearted, dance-like
The classic madrigal is offered in a three-part mixed voicing that includes the option to sing it a cappella or with the notated piano part. For added fun, consider using a harpsichord on the notated
Daniel Hughes has arranged this delightful English folk song as a madrigal. A jovial piece that encourages partying with a most proper spirit, the music serves well at any concert or madrigal dinner feast.
Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the three-part mixed/SAB voicing
Here is the famous madrigal by Thomas Morley in a stylistically authentic performance edition. Ideal for chamber, madrigal, and concert choirs, this cheerful work offers superb opportunities for developing
The light, dance-like madrigal style of the Tudor composer Thomas Weelkes is offered here in a fine edition for modern choirs. The delightful "fa-la-la" refrain connects the verses for an excellent choral
Robert Jones (1577-1617) was an English composer and lutenist who was a prolific writer of songs and madrigals. This delightful example of his madrigal style expresses sadness over the loss of a love. It
Enjoy this lighthearted Renaissance madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, optional
Here is a fantastic resource for introducing madrigals of the Renaissance to the developing ensembles or groups with limited male singers. The five works by Thomas Weelkes are: Come, Let's Begin; Four
The contrasting sections of this light, lilting 16th-century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, consider
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