Sacred Choral Concert Music

Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

Equally effective a cappella or with the optional piano accompaniment, this dynamic work with the traditional Latin text is a great choice as an opener for either Christmas or general programming. A fanfare

A lively traditional Shaker song, this arrangement pays homage to the song's roots while adding a vibrant, contemporary feel. Available in multiple voicings that work for almost any choir, this historic

Lyrical melodic lines, lush vocal harmonies, and a supportive accompaniment are the hallmarks of this expressive setting of the traditional Latin text. The memorable melody is sung in unison throughout,

An ideal opener for concerts or festivals, this energetic piece has a memorable melody and lively rhythmic elements. The opening and closing sections offer a syncopated motive, while the middle section

Beginning with a solo or small group of singers, this choral setting of a moving Hebrew prayer from the Shabbat morning service provides ample opportunity for expressive singing and melodic artistry for

Originally written for her induction into the Accademia Filarmonica di Bologna, Marianna Martines' setting of Psalm 110 is often considered her greatest choral work. This arrangement of the first movement

With a soaring melody and harmonies that exude warmth, this lyrical setting of the traditional Latin text is expressive and bright. Traditionally sung during the Christmas season, this text can also be sung

A wonderful option for young choirs, this accessible two-part piece includes minimal Latin text, easy-to-learn harmonies, and a supportive piano accompaniment. With short melismas and syncopation, the

Arranged as a joyful processional, this 14th-century Latin motet can be sung completely a cappella or accompanied by hand drum and tambourine. This short work includes an optional repeating section that may

These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord

Davison yet again applies his Baroque-like style in this rhythmically charged original that is perfect for developing voices. Altos and basses share a part as do the sopranos and optional tenors, making

Grandiose and exciting, this festive piece has rhythmic energy in the vocal lines coupled with an active yet supportive piano accompaniment. With a variety of accessible voicings, this piece is fitting for

Tenor-bass and treble choirs of all ages will relish singing these gorgeous harmonies with the traditional Latin text. With the option to sing a cappella or with a supportive piano accompaniment, the

Franck's popular canon is a wonderful introduction to singing in Latin for middle school students. You can use the flowing piano accompaniment to support your singers through the learning process, then let

Two short contrasting movements may either stand on their own or combine into one longer setting. The Gloria setting is upbeat, rhythmic, and fanfare-like, while the Alleluia is quiet, introspective and set

In this heartfelt prayer for peace, contemporary and traditional styles blend seamlessly as the choir asks first to receive shalom, then offers shalom to the listener, to friends and family, to those we

The resounding harmonies in this a cappella setting are carefully crafted with optional tenor notes for flexible SATB or SAB choirs. With an uplifting message based on Psalm 121, the straightforward setting

There are many great teaching moments in this excellent original setting of the traditional Latin text. Using the style of the late Baroque period, with limited ranges in each part, the work has lots of

This moving, traditional Irish blessing is set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in

This heartfelt piece reminds us that goodbyes are as filled with gratitude and hope as they are sad. Great intimacy is achieved in this unaccompanied setting with the use of solo voices and lush chords as

This lovely work for treble voices and piano is a lyric, fluid rendering of the familiar text from the Book of Hours (1541). Elegantly simple, it offers the opportunity for young choirs to explore tone,

Setting a traditional Jewish prayer of gratitude used at times of celebration and joy, this original work is both lyrical and accessible. A violin obbligato enhances the flowing feel, and the two-part

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's