Voskreseniye Khristovo Videfshe (In That We Have Beheld The Resurrection Of Christ) is a work by Sergei Rachmaninoff for unaccompanied SATB Choir. From the "All-Night Vigil," this is the Vocal
A minimum quantity of 5 is required on this title.
"Make my heart a place where angels sing... and teach that heart to swell with heavenly melody, their own untired employ." Replete with modern harmonies, melismatic passages and shifting harmonies,
A minimum quantity of 8 is required on this title.
The original tune and lyrics for this piece are by William Billings and have been adapted for mixed chorus, optional percussion and piano by Gwyneth Walker. The mournful spirit of early Americana in the
With a text by Louis de Montfort, this is a hymn of devotion and total surrender to a power greater than ourselves. The lush extended harmonies proceed from a pedal point and continue in straightforward
This beautiful a cappella motet is extracted from Mr. Trotta's major work Seven Last Words. It is lush in its harmonies and suitable for both church and school use. Choirs will enjoy singing this
Light and celebratory, this joyous anthem for double a cappella choir uses rhythmic, ostinato-like vocal lines to support the melodic theme. A sustained middle section provides contrast, capturing the
Written for the 2010 Tolosa (Spain) Choral Contest, this hymn to the Virgin Mary uses full sound and dense harmonies to celebrate Mary's gift to the world. The composer's gift for crafting timeless melodies
Based on a Gregorian chant by the same name, this a cappella work explores the ideas of human joy and angelic singing. Beginning softly, the composer builds texture and sound, moving toward the final climax
Here is a stunning, thoughtful setting of The Lord's Prayer in Afrikaans, which is one of the official languages spoken in South Africa. The composer captures the mystery of the text as contrasts
The beloved poem by William Blake is here expressed with great sensitivity through music. The composer takes us to a dramatic climax in the penultimate phrase, and then concludes with a tender ending, "God
Extracted from Kim Andre Arnesen's "Magnificat," this luscious setting opens with a hauntingly gorgeous soprano solo. Undulating choral rhythms and sublime a cappella moments make this a piece not to be
This exciting mixed-meter piece is excerpted from Kim Andre Arnesen's "Magnificat." The composer has the voices in unison, two parts and four parts throughout. This variety keeps the excitement going. While
A rhythmic ostinato on "la la la la la" is a compelling element of this jazz-influenced original on the traditional Latin text. Appropriate for better high school and university choirs, it will produce a
A minimum quantity of 10 is required on this title.
Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt, this is the original a cappella version of the well-known
This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,
"A holy day has dawned for us..." This original a cappella work, in Latin throughout, employs mixed meter, tasteful dissonance and some divisi, with excellent effect. A good choice for festival choirs at
What if Daft Punk and Pentatonix collaborated to remix an ancient Gregorian chant? That's what this sounds like. A radical modernization of the ancient Easter sequence involving elements of
This Latin setting for a cappella divisi mixed voices is stunning! Certain to become a "must-do" selection for concert and festival performances, it is a marvelous contribution to the repertoire for
The opening section of Faure's beloved Requiem could easily be considered a classic in its own right. Conductor and former Chanticleer singer Sanford Dole has done a marvelous job adapting it for a cappella
A truly special and evocative poem by Hildegard von Bingen set masterfully by the composer. The piano acts as a fifth voice with the choir, often representing the "circling" of the mysterious "firey force."
In this stunning choral tapestry, the beloved Latin text is set with lush harmonies, vivid tonal colors and wonderful dynamic contrasts. It is an absolutely gorgeous soundscape for better a cappella choirs.