Get hip, little dogies! This country blues tune made popular by Ella Fitzgerald in the 1940s makes a great swingin' western-style novelty, perfect for themed concerts. This well-done vocal jazz arrangement
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Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts
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"I'm building all my dreams around you, my happiness will never cease. But nothing's any good without you; 'cause, baby, you're my centerpiece." This vocal jazz classic from the iconic group Lambert,
Deke Sharon and J.D. Frizzell have provided a wide array of warm-ups specifically designed for pop and jazz choirs that will also work well for contemporary a cappella groups. There are over 39 creative
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This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And
The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
Cool scat syllables are featured in this nicely done setting of the Nat King Cole classic. Laid back and fun to sing, this challenging arrangement is a great choice for more experienced vocal jazz
This slow, soulful 12/8 setting of the Otis Redding classic, recently covered by Michael Buble, builds to a marvelous final chord. This well-arranged piece will work beautifully for show choirs and jazz
A Cole Porter standard that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement perfect
Van Morrison's classic jazz-infused song, which barely charted when it was released, has lived a new life and is now the most frequently played song when the "Belfast Cowboy" performs. The jazzy choral
A charming swing-infused standard, first published in 1924, that has been recorded by a wide variety of hit-makers including Ray Charles, Tony Bennett, Michael Buble and Carrie Underwood. Perfect for school
Although it doesn't appear in the original 1939 film, this number from "The Wizard of Oz" is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many
A modern a cappella setting of the 1961 classic song from Rodgers & Hart. With some divisi throughout, this piece gives an incredible opportunity to teach musicality, balance and blend for your mixed
Here's a quintessential bossa nova on just three Latin words from the Kyrie mass text. Bossa nova is a musical genre that began in Brazil in the 1950s that consists of the combination of samba rhythms, jazz
This gorgeous vocal jazz arrangement combines Autumn Leaves with When October Goes in an artful setting that is unified both textually and musically. The sumptuous choral harmonies and
This quirky gem from Duke Ellington has been a staple for the jazz vocal group New York Voices for years and is an audience favorite. NYV member Darmon Meader turns the relatively simple tune on its ear,
Developing mixed and treble choirs will enjoy performing this jazz inflected doo-wop song written in the 1930s, but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
You'll love this fresh contemporary treatment of the Stevie Wonder hit song from 1983. Well-crafted vocal parts and a straight-ahead rhythmic groove with just a hint of vocal jazz make this chart accessible
A Duke Ellington Latin jazz classic in this Afro-Cuban setting, this song is an energetic selection that will make your choir and audience want to move their feet! Fun and rewarding for your group to
A wonderful choice to expose younger choirs to elements of vocal jazz style in this swingin' tune by Louis Prima. With a careful approach to voice leading, range, jazz rhythms and even notated simple scat
One of the top standards of all time! This rich setting with dreamy rubato phrasing, warm harmonies, and the full range of emotional expressivity will be a wonderful showcase for concert, community, and pop
Here is an original jazz suite that is perfectly suited to treble choirs or developing mixed groups in middle school and high school. The lyrics for all three songs are about the joy and fun of singing and
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