Sight-Singing Exercises and Warm-ups for Choir

Part vocalise, part warm-up, part novelty, part concert opener - all this and more in this flexibly fun piece! Explore a variety of vocal textures and articulations, all on nonsense syllables that layer and

Geared perfectly for young, changing voices, this series was written specifically for choirs that need simple rhythmic exercises with a sequential progression of solfège skills. To

This unique collection of 40 simple folk songs from 20 different countries can be easily memorized for immediate focus. Help refine students' ability to listen to each other, unify vowels, and tune chords

For nearly 200 years, the 371 four-part chorales (371 vierstimmige Choralgesange) of Johann Sebastian Bach have enjoyed popularity and usefulness in music education. This classic collection has been used in

Following up on Gilpin's Vox, here's another flexible, fun-to-sing original piece with so many uses! Set up as rondo, this perfect opener is part warm-up, part vocalise, and part novelty, with

This series was designed to be useful in all teaching situations, from middle school on up. The range is limited to one octave - C to C - so that everyone sings in a comfortable range throughout. The

If your choir can sing up and down the scale, they're ready to dive into this series! Each exercise is limited to a brief eight measures, so one or two a day should easily fit into your available time. Each

In this classic series of sight-singing material, composer Hank Beebe has succeeded in capturing the spirit and ambiance of the Classical period in all its rich variety. Beginning with simple, step-wise

If your choir can sing up and down the scale, they're ready to dive into this series! Each exercise is limited to a brief eight measures, so one or two a day should easily fit into your available time. Each

If your choir can sing up and down the scale, they're ready to dive into this series! Each volume of this flexible series contains 150 duet (or 300 unison)exercises that progress sequentially from

Using the rules and conventions of 16th century counterpoint, the sound and flavor of Renaissance polyphony has been preserved in this elegant series of graded original compositions. Beginning with simple,