Light Concert Choral Music

Teach intervals from DO the fun way! This snazzy Latin-style song will be a favorite with young singers as they learn numerous rhythm patterns while singing intervals and solfege syllables. Educational and

Break out the caps, bats, gloves and hot dogs! It's Take Me Out to the Ballgame, craftily arranged to bring out all the fun of this most famous baseball song. Your developing male choir will hit a

For better a cappella choirs, here is a whirlwind of bright harmonies, dance pulses, and syllabic play - a full-fledged theme and variations on absolutely nothing! The words are pure nonsense, but the

A beautiful arrangement for SAB choir with accompanying chamber group. Memorable vocal lines based on Mozart's original idea treated with new structures, harmonies and orchestration make this work very

Based entirely on the solfeggio syllables sol, la, and re, this modern a cappella piece utilizes smooth, syncopated ostinatos and repeated fragments that layer in a postminimalist fashion to great effect.

This delightful song from "Frozen" is an ode to buzzing bees, dandelion fuzz, sandy beaches and blue skies. Olaf, everyone's favorite song-and-dance snowman, imagines a life that's not frozen in this

Harry Nilsson's 1971 novelty song tells the story of what happens when you put the lime in the coconut: it helps you feel better when you have a bellyache!  Set at an "island rock" tempo, it's a fun,

Kids will love this fun partner-song arrangement of a turn-of-the-century American parlor song. After crooning through the familiar melody, singers will delight in the stylized vocal slides that shape the

"I do not like green eggs and ham. I do not like them, Sam-I-Am..." This swingin' novelty number is taken from the 2000 Broadway musical "Seussical," and Andy's arrangement includes a ready-made encore

How fun to sing about one of nature's most curious creatures! A whimsical text, bluesy overtones, quirky chromatics, and optional hand percussion paint a clear picture of the skillful lizard and his

It's a partner-song arrangement of You're a Grand Old Flag and Colonel Bogey, and it's the most enjoyable patriotic salute available for young choirs! Complete with kazoos, this is a

From the creative wellspring of Mark Burrows comes this adorable song about Octavia the Octopus, an octopus who wanted nothing more than to sing! Complete with solo opportunities, a catchy, memorable tune,

Here's an exciting, energizing tune that teaches singers how to write counts in music. With a supportive piano accompaniment, it makes rhythm fun for students of all ages, from elementary through high

If you need a good song for Talk Like a Pirate Day or any other fun occasion, consider this lighthearted Greg Gilpin original. It's in the tempo of a jig, and it has all the swashbuckling swagger you could

This English folk tune tells a story from the Victorian era of a girl who sewed and was delighted to receive a "paper of pins" from her suitor along with a host of other gifts, though all she wished for was

In this clever madrigal novelty, 16th-century harmony meets 21st-century technology! It sings the story of a couple falling in love, with some help from Google, Facebook, and Twitter. Performed a cappella

Here's a cute original with a great piano accompaniment and an exceptionally imaginative text.  This piece is a wonderful addition to the repertoire for young voices!

Mister Handel will forgive you for performing this hilarious spoof on The Hallelujah Chorus mixed up with The Saints Go Marching In, and your audience will be laughing all the way

Singers emulate the sound of ticking clocks as each voice part enjoys its own independent melody before uniting in a full partner song format. Orff and small percussion instruments can add a vibrant texture

Dream of joyous summers at the beach and salty air, and discover a world of seaside delights with this jaunty and upbeat original work. "Oh, won't you come with me down the shore, where the cotton candy

This novelty piece takes "like" to a hilarious level, making fun of how often we use the word. With options to feature a soloist or small group of sopranos before all voice parts combine into a polyphonic