This tuneful work from the Renaissance is uptempo and bright. Clarity of line and a firm harmonic base make the work easy to learn and fun to sing. Add the optional percussion instruments to give it even
This is a surprising departure from what you'd expect when you read the title. An intriguing mix of old and new, Kirby Shaw's treatment of the Thomas Morley madrigal retains the original vocal parts in
A minimum quantity of 5 is required on this title.
Pierre Certon's dancing and lighthearted work is made more accessible for younger voices with this fine arrangement. The harmonic and textural elements remain true to the original, preserving the frivolity
Orlando di Lasso's tuneful villanelle is set here for TBB voices, with Italian text and English subtext. Carefully edited, it is shorter in duration than the original SATB score and includes an optional
Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant Ancient Aires and Dances for Lute, Suite 1: Balletto to create a light-hearted, dance-like
Enjoy this lighthearted Renaissance madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, optional
BE THE FIRST TO KNOW
Sign up for emails to stay informed about the best new music, events, and everything you need for the upcoming season.