"For all we know, we may never meet again. Before you go, make this moment sweet again..." This tender vocal jazz ballad is expertly arranged for unaccompanied voices to show your group at its best. A
Deke Sharon and J.D. Frizzell have provided a wide array of warm-ups specifically designed for pop and jazz choirs that will also work well for contemporary a cappella groups. There are over 39 creative
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This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And
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The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
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A Cole Porter standard that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement perfect
A modern a cappella setting of the 1961 classic song from Rodgers & Hart. With some divisi throughout, this piece gives an incredible opportunity to teach musicality, balance and blend for your mixed
This is a classic a cappella Kirby Shaw setting of a Gershwin ballad. Love Is Here to Stay appeared, perhaps most memorably, in the 1951 MGM picture "An American in Paris," for which it served as
For over seven decades, this song, written during World War II, has held an emotional connection with music lovers for its nostalgic longing for happier times. This a cappella setting offers opportunities
With sensitive lyrics by Alan and Marilyn Bergman, this ballad, popularized by Rosemary Clooney, lends itself well to beginning vocal jazz groups. The melody moves seamlessly from the choir to a featured
"It doesn't matter much how old I grow, I hate to see October go." A cappella choirs will enjoy the lush jazz harmonies in this tasteful arrangement of Barry Manilow's 1985 hit. Impeccable voice leading and
Smooth and delicious are the words to describe this a cappella jazz setting of the Cole Porter standard. A delicate opening "oo" section gives way to a unison statement of the melody before melting into
"Once upon a time a boy with moonlight in his eyes..." This rich a cappella setting of the love ballad from the 1962 show "All American" is equally appropriate for jazz, show, and concert choirs. "...but
This challenging a cappella arrangement captures all the energy and pizzazz of Duke Ellington's original. It opens with the seldom-heard verse, in rubato tempo; then the bright swing tempo kicks in and it's
This Lerner and Loewe hit from "Brigadoon" works beautifully for a cappella voices in this swingin' setting by Darmon Meader of New York Voices fame. Opening with the verse at rubato tempo, it soon takes
Many great jazz singers and instrumentalists have performed and recorded this old standard, including Frank Sinatra. It lends itself beautifully to a cappella choral singing in this textured arrangement.
The word "samba" comes from a Brazilian rhythm and dance, and the word "lele" is an expression of excitement. Vocal percussion, exciting dynamics, snappy rhythmic figures and a fun Portuguese text combine
Fast and playful this hit from the recent Tony award winning Broadway musical "Thoroughly Modern Millie" features close harmony chords and a melody that bounces between the alto, mezzo and soprano. Shades
This setting of the 1965 classic by The Beatles showcases the purity of a cappella voices. The opening and closing are largely homophonic, with a quasi-Baroque middle section adding interest. Harmonic
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