Cool scat syllables are featured in this nicely done setting of the Nat King Cole classic. Laid back and fun to sing, this challenging arrangement is a great choice for more experienced vocal jazz
This slow, soulful 12/8 setting of the Otis Redding classic, recently covered by Michael Buble, builds to a marvelous final chord. This well-arranged piece will work beautifully for show choirs and jazz
A Cole Porter standard that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement perfect
Van Morrison's classic jazz-infused song, which barely charted when it was released, has lived a new life and is now the most frequently played song when the "Belfast Cowboy" performs. The jazzy choral
A charming swing-infused standard, first published in 1924, that has been recorded by a wide variety of hit-makers including Ray Charles, Tony Bennett, Michael Buble and Carrie Underwood. Perfect for school
A modern a cappella setting of the 1961 classic song from Rodgers & Hart. With some divisi throughout, this piece gives an incredible opportunity to teach musicality, balance and blend for your mixed
Although it doesn't appear in the original 1939 film, this number from "The Wizard of Oz" is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many
Here's a quintessential bossa nova on just three Latin words from the Kyrie mass text. Bossa nova is a musical genre that began in Brazil in the 1950s that consists of the combination of samba rhythms, jazz
With sensitive lyrics by Alan and Marilyn Bergman, this ballad, popularized by Rosemary Clooney, lends itself well to beginning vocal jazz groups. The melody moves seamlessly from the choir to a featured
A minimum quantity of 5 is required on this title.
"It doesn't matter much how old I grow, I hate to see October go." A cappella choirs will enjoy the lush jazz harmonies in this tasteful arrangement of Barry Manilow's 1985 hit. Impeccable voice leading and
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
Originally written for the 1932 musical "Flying Colors," this jazz standard has been recorded by a "who's who" of jazz icons, including Dizzy Gillespie, Miles Davis, Julie London, and Ella Fitzgerald. This
Smooth and delicious are the words to describe this a cappella jazz setting of the Cole Porter standard. A delicate opening "oo" section gives way to a unison statement of the melody before melting into
"Once upon a time a boy with moonlight in his eyes..." This rich a cappella setting of the love ballad from the 1962 show "All American" is equally appropriate for jazz, show, and concert choirs. "...but
One of the most touching Gershwin love songs, written in 1930, this standard continues to melt hearts today. Appropriate for concert choirs as well as show and jazz groups.
This beautiful blues ballad appeared on the Billboard Hot 100 chart in 1963, a bit surprising since it was written in 1945! Tight choral harmony and a subtle accompaniment make this sad tale come alive.
Originally written as an up-tempo number for the musical Oh, Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right!
Four fantastic hits combine in this four-and-a-half minute medley of fun! Perfectly for choreography, it even includes a kazoo interlude. You couldn't ask for more! Included are: I Got Rhythm; How High
Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the
This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a
Here's a well-crafted arrangement featuring the song used as the building block for what many have called the best tap routine in movie musical history. The short, notated scat section is perfect for
With lyrics comprised of only two sentences, this Henry Mancini/Johnny Mercer masterpiece won the Academy Award for Best Original Song when it was featured in the film of the same name. Vocal jazz groups
First heard in 1925, this jazz standard still swings. It's a blast for serious vocal jazz groups, well worth the effort!
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