SAB and Three-Part Mixed Madrigals and Early Music

The Nightingale is Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine) providing additional rhythmic security for developing ensembles

This popular madrigal by Thomas Weelkes (1576-1623) is set in C major, a lower key than usual, truly making this edition an SAB-friendly version. Meant to be performed a cappella, a piano reduction is

This setting of the well-known madrigal, with Italian text throughout, may be sung a cappella or accompanied. A valuable repertoire addition for middle school choirs, this piece provides opportunities to

Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the three-part mixed/SAB voicing

This tuneful work from the Renaissance is uptempo and bright. Clarity of line and a firm harmonic base make the work easy to learn and fun to sing. Add the optional percussion instruments to give it even

This three-voice madrigal by Thomas Weelkes is full of fun and whimsy, with changes in meter, interweaving vocal lines and a dance-like feel, with optional hand drum. An excellent selection for madrigal

This tuneful chanson by the composer of Je le vous diray is perfectly set for developing singers with modest vocal ranges. The English text and buoyant fa-la-las are supported by a piano

The choral classic Is Est Bel et Bon is now arranged for three-part choirs with a fresh, gender-neutral text! Independent and smoothly contoured vocal lines contribute to an engaging arrangement

Introduce your choir to a cappella madrigal singing with this wonderful Thomas Morley classic designed especially for young singers by Russell Robinson. This edition sounds full and captures all the spirit

The classic madrigal is offered in a three-part mixed voicing that includes the option to sing it a cappella or with the notated piano part. For added fun, consider using a harpsichord on the notated

In this clever madrigal novelty, 16th-century harmony meets 21st-century technology! It sings the story of a couple falling in love, with some help from Google, Facebook, and Twitter. Performed a cappella

Excellent three-part writing, right on the mark for young men and women. Teach the song in English before introducing the optional French text, an IPA pronunciation guide is included. When your students are

Introduce your young mixed choir to the madrigal style with this easy setting of Hassler's lively, dance-like madrigal. Originally written for five voices a cappella, it is revoiced here for three parts

The contrasting sections of this light, lilting 16th-century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, consider

Madrigal singing has long been a staple of the choral repertoire, particularly for the development of independent singers with the use of polyphonic harmony. And, they're fun to sing! Here are two madrigals

Two timeless madrigals written specifically for the winter season have been authentically edited for SAB choirs. Included are Thomas Campion's Now Winter Nights Enlarge and Thomas Weelkes's To

These two short Renaissance gems have been carefully arranged for developing choirs: Inimici Autem and Alleluia, Laus et Gloria. Special care has been given to retain the beautiful chord

Here is an accompanied contemporary madrigal-like piece with a lighthearted lilt, guaranteed to bring a smile. This sprightly setting capitalizes on the energy of Shakespeare's witty words from As You

With this follow-up to the top-seller All Star (as an English Madrigal), this fun madrigal adaptation of the Spice Girls hit from the 1990s is another fun way to teach this genre to young singers,