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Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant Ancient Aires and Dances for Lute, Suite 1: Balletto to create a light-hearted, dance-like
This is a surprising departure from what you'd expect when you read the title. An intriguing mix of old and new, Kirby Shaw's treatment of the Thomas Morley madrigal retains the original vocal parts in
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