SATB Vocal Jazz Music

This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And

This gorgeous jazz standard has been recorded by some of the greatest singers of our time and before - from 1918 to the present. Presented in a slow swing, an almost New Orleans-style feel with smooth jazz

The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical

Originally written for the 1932 musical "Flying Colors," this jazz standard has been recorded by a "who's who" of jazz icons, including Dizzy Gillespie, Miles Davis, Julie London, and Ella Fitzgerald. This

The Latin jazz sound, complete with a killer horn line and lots of percussion, is faithfully captured in this arrangement. Show choirs will have fun with the jazz-flavored harmonies and bossa nova feel,

"As long as I'm singing, the world is mighty fine." Here is an upbeat, driving song from the big band era that rings out the message of the importance of singing. Classic jazz harmonies for the singers and

This arrangement of the classic 1940s song, made famous by rhythm and blues singer Etta James, provides an opportunity to feature a strong soloist. Jazz-flavored harmonies and a solid instrumental track add

This classic arrangement was originally scored for mixed voices and is now available for treble choirs! Jazz harmonies are found throughout this lovely a cappella setting which is full of opportunities to

Here's a lush, beautiful a cappella setting of the old standard tune, with accessible jazz harmonies and effortless voice leading. This is a standout ballad for your jazz or concert choir!

Swing your way into autumn with this stunning vocal jazz selection by noted arranger Paris Rutherford. Close jazz harmonies, optional solos, and extended section "scat" riffs distinguish this vocal jazz

This beautifully elegant setting of a beloved piece of Americana is accessible to SATB ensembles of all sizes. Not to be overlooked for concerts throughout the year.

Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. With opportunities for solos, and great instrumentals, this chart will be a fun change of pace for your

Featured in the HBO series White Lotus and performed by the likes of Sam Cooke and Bing Crosby, this is real-deal vocal jazz writing for serious a cappella singers. This reflective arrangement is full of

As recorded by Manhattan Transfer, here's a funky fusion setting of the jazz classic by Josef Zawinul and lyricist Jon Hendricks. For experienced vocal jazz groups with soloists, this is very impressive!

This vocal jazz standard tune arrangement comes with a whimsical vibe and fresh perspective while remaining true to the classic style. It's an uplifting concert setting that singers and audiences will

Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.

Irving Berlin's quintessential song is a classic of swing style, and this straightforward, singable arrangement brings Berlin's standard to vocal jazz and show choirs of any level. The swing groove is

Combining an upbeat lyric with an easy swing setting creates a feel-good piece for audiences and singers alike. A choral scat section is followed by a scat solo, either improvised or using the written part.

The classic pop song first recorded in the 1950s by Tony Bennett and later made popular by Bobby Vinton has been given a fresh, jazzy setting for choral groups. This arrangement is lush, with modern

This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to

Legendary harmonica player Toots Thielemans created this famous jazz standard which has been covered countless times. This arrangement begins simply, allowing your choir to establish the groove with

Get your boogie down with this 1980s classic by Al Jarreau - it has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop, jazz and show choirs!

Most notably performed by Liza Minnelli, this Kander & Ebb classic returned to Broadway in the musical "New York, New York." A true blockbuster, this arrangement comprised of jazz sonorities, a

Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts