The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
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Originally written for the 1932 musical "Flying Colors," this jazz standard has been recorded by a "who's who" of jazz icons, including Dizzy Gillespie, Miles Davis, Julie London, and Ella Fitzgerald. This
Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. With opportunities for solos, and great instrumentals, this chart will be a fun change of pace for your
Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
Get your boogie down with this 1980s classic by Al Jarreau - it has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop, jazz and show choirs!
Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts
A Duke Ellington Latin jazz classic in this Afro-Cuban setting, this song is an energetic selection that will make your choir and audience want to move their feet! Fun and rewarding for your group to
Get hip, little dogies! This country blues tune made popular by Ella Fitzgerald in the 1940s makes a great swingin' western-style novelty, perfect for themed concerts. This well-done vocal jazz arrangement
Smooth and delicious are the words to describe this a cappella jazz setting of the Cole Porter standard. A delicate opening "oo" section gives way to a unison statement of the melody before melting into
Set in a fast swing above a walking bass, this Gershwin standard really cooks! Featuring a wailing group scat chorus, experienced vocal jazz groups will wow the crowd in this sensational chart!
"For all we know, we may never meet again. Before you go, make this moment sweet again..." This tender vocal jazz ballad is expertly arranged for unaccompanied voices to show your group at its best. A
From Benny Goodman to Bette Midler and so many other artists, this classic song is forever popular. Beginning with a heartfelt solo, the arrangement goes into a relaxed gospel style, setting the melody and
This Beatles song, also recorded by Blood, Sweat & Tears and Earth, Wind & Fire, is presented in a creative arrangement that's an exciting fusion of jazz and pop!
Pharrell's mega-hit gets a hot vocal jazz treatment in this accompanied setting. It has great vocals, horns and solo opportunities to please every crowd!
One of the most performed and recorded songs ever, this classic jazz standard is a winning choice for jazz, pop and concert choirs. Luscious choral harmonies and an outstanding track and instrumental parts
Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment for pop and jazz groups. With solo spots, cascading vocal phrases, and a contemporary keyboard part, this is creative jazz
Heartfelt lyrics, rich harmonies and a smoldering slow swing tempo make this a fine choice for a vocal jazz ballad. Tastefully arranged, this piece is great for building phrasing and blend!
With sensitive lyrics by Alan and Marilyn Bergman, this ballad, popularized by Rosemary Clooney, lends itself well to beginning vocal jazz groups. The melody moves seamlessly from the choir to a featured
A charming swing-infused standard, first published in 1924, that has been recorded by a wide variety of hit-makers including Ray Charles, Tony Bennett, Michael Buble and Carrie Underwood. Perfect for school
Although it doesn't appear in the original 1939 film, this number from "The Wizard of Oz" is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many
This is a classic a cappella Kirby Shaw setting of a Gershwin ballad. Love Is Here to Stay appeared, perhaps most memorably, in the 1951 MGM picture "An American in Paris," for which it served as
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