Develop your choir's a cappella skills with this straightforward original madrigal that employs traditional harmonies, modest ranges, and lots of repetition, making it a quickly learned piece. An excellent
A minimum quantity of 5 is required on this title.
This delightful five-voice madrigal from 1604 is outstanding! Echo effects and lots of interplay among the parts make the most of the musical imagery of "running in and out." This is guaranteed fun to
Robert Jones (1577-1617) was an English composer and lutenist who was a prolific writer of songs and madrigals. This delightful example of his madrigal style expresses sadness over the loss of a love. It
The light, dance-like madrigal style of the Tudor composer Thomas Weelkes is offered here in a fine edition for modern choirs. The delightful "fa-la-la" refrain connects the verses for an excellent choral
Now available for women's voices, this popular French chanson relates the gossipy conversation of a pair of French housewives as they chatter about their husbands. Dance-like phrases echo back and forth,
This item has been discontinued and we can only sell our remaining stock. Add to cart to check availability and for more information.
Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant Ancient Aires and Dances for Lute, Suite 1: Balletto to create a light-hearted, dance-like
Daniel Hughes has arranged this delightful English folk song as a madrigal. A jovial piece that encourages partying with a most proper spirit, the music serves well at any concert or madrigal dinner feast.
This is very funny! It's a mad, mad, mad, mad madrigal indeed when the "fa-la-la's" get mixed up with the "shoo-bee-doo-bee-doo's" and the "rama-lama-ding-dong's"! Novelty madrigals are rare, and this is
Here is the famous madrigal by Thomas Morley in a stylistically authentic performance edition. Ideal for chamber, madrigal, and concert choirs, this cheerful work offers superb opportunities for developing
This is a surprising departure from what you'd expect when you read the title. An intriguing mix of old and new, Kirby Shaw's treatment of the Thomas Morley madrigal retains the original vocal parts in
Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the three-part mixed/SAB voicing
BE THE FIRST TO KNOW
Sign up for emails to stay informed about the best new music, events, and everything you need for the upcoming season.