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This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a
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One of the most touching Gershwin love songs, written in 1930, this standard continues to melt hearts today. Appropriate for concert choirs as well as show and jazz groups.
Although it doesn't appear in the original 1939 film, this number from "The Wizard of Oz" is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many
Van Morrison's classic jazz-infused song, which barely charted when it was released, has lived a new life and is now the most frequently played song when the "Belfast Cowboy" performs. The jazzy choral
This beautiful blues ballad appeared on the Billboard Hot 100 chart in 1963, a bit surprising since it was written in 1945! Tight choral harmony and a subtle accompaniment make this sad tale come alive.
Four fantastic hits combine in this four-and-a-half minute medley of fun! Perfectly for choreography, it even includes a kazoo interlude. You couldn't ask for more! Included are: I Got Rhythm; How High
This slow, soulful 12/8 setting of the Otis Redding classic, recently covered by Michael Buble, builds to a marvelous final chord. This well-arranged piece will work beautifully for show choirs and jazz
Cool scat syllables are featured in this nicely done setting of the Nat King Cole classic. Laid back and fun to sing, this challenging arrangement is a great choice for more experienced vocal jazz
"It doesn't matter much how old I grow, I hate to see October go." A cappella choirs will enjoy the lush jazz harmonies in this tasteful arrangement of Barry Manilow's 1985 hit. Impeccable voice leading and
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