This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,
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Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response, and the vitality of the congas, claves and djembe will
Greg Gilpin’s inspired music brings Henry Wadsworth Longfellow’s text to life. Featuring a cascading a cappella introduction, this reflective work is a marvelous creative programming choice for
Changing the world starts with just one person! Using a powerful vocal call and response with body percussion, this original work builds confidence and self-awareness through the affirming lyrics and vocal
"I am you are me..." This innovative original uses a clever text and pop-style music to create an environment of togetherness among members of the choir. Community - that's what it's all about. Each vocal
The 2013 Raymond W. Brock Memorial Commission featuring timely and poignant text by Emily Dickinson. The poems express the extreme complexity of Beauty, even in the most simple of occurrences. A clear and
This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.
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This arrangement for SSAA chorus is fromthe original set, Due West for SATB chorus which was commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlberg is in a
This setting for SSAA chorus is an arrangement from Stephen Chatman's original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg
This simple song is a hymn of praise to the rich greenness of summer and how it turns our admiration to "a rapturous exultation in praise of God's creation." Then in a very biblical turn, and without
This stunning work features the reflective words of legendary aviator Amelia Earhart. Set with soaring choral lines and an intimate but agile chamber trio accompaniment, it transports the listener to a
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This a cappella work, commissioned for the University of Houston, is based on a text by Edmund Waller (1606-1687).
This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth. Appropriate for any memorial
This challenging a cappella work is set to the Emily Dickinson poem "Hope" is the thing with feathers. The setting of the text, the independence and interdependence of the vocal lines, and the
A very accessible arrangement of the original hymn. A cappella vor SSAA divisi choir, rhythmic, engaging and musically inspiring. A sure winner!
This piece expresses a steadfast faith in God, and thus the central message of Dickinson's poem. The music describes feelings of trust and wonder, joy and gratitude. The piece was commissioned for the
Ms. Fogarty’s skillfull text painting turns a brief 1843 journal entry by Louisa May Alcott into an exuberant celebration of nature and its connection to the human spirit. Your singers’
Philip Silvey honors iconic poet Emily Dickinson with this transparent yet powerful a cappella setting for treble voices. His writing effectively captures the spirit of determination expressed in her poem.
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