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The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
Hammerstein and Kern's popular hit is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Smooth vocal lines sit above the exciting
In the Jazz Explorations series for developing jazz choirs, this whimsical song from Simon & Garfunkel is a perfect introduction to style, technique and blend.
Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
A perfect introduction to vocal jazz, this Irving Berlin classic gets an updated treatment that's great for developing style with your treble choirs. It really swings!
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts
"I'm building all my dreams around you, my happiness will never cease. But nothing's any good without you; 'cause, baby, you're my centerpiece." This vocal jazz classic from the iconic group Lambert,
Get hip, little dogies! This country blues tune made popular by Ella Fitzgerald in the 1940s makes a great swingin' western-style novelty, perfect for themed concerts. This well-done vocal jazz arrangement
This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a
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