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In the Jazz Explorations series for developing jazz choirs, this whimsical song from Simon & Garfunkel is a perfect introduction to style, technique and blend.
Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
A perfect introduction to vocal jazz, this Irving Berlin classic gets an updated treatment that's great for developing style with your treble choirs. It really swings!
This combination of Birth of the Blues and Blues in the Night is filled with all the jazzy nuances you expect in such golden oldies. Use the recorded accompaniment track or a live combo to
Set in a fast swing above a walking bass, this Gershwin standard really cooks! Featuring a wailing group scat chorus, experienced vocal jazz groups will wow the crowd in this sensational chart!
From Benny Goodman to Bette Midler and so many other artists, this classic song is forever popular. Beginning with a heartfelt solo, the arrangement goes into a relaxed gospel style, setting the melody and
Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment for pop and jazz groups. With solo spots, cascading vocal phrases, and a contemporary keyboard part, this is creative jazz
Heartfelt lyrics, rich harmonies and a smoldering slow swing tempo make this a fine choice for a vocal jazz ballad. Tastefully arranged, this piece is great for building phrasing and blend!
This is a classic a cappella Kirby Shaw setting of a Gershwin ballad. Love Is Here to Stay appeared, perhaps most memorably, in the 1951 MGM picture "An American in Paris," for which it served as
This Gershwin classic is set in an easy swing filled to the brim with nonchalant charm and optimism. A great selection for jazz, pop and concert choirs in a program of standards or a love-themed concert
For over seven decades, this song, written during World War II, has held an emotional connection with music lovers for its nostalgic longing for happier times. This a cappella setting offers opportunities
This show tune has appealed to jazz musicians ever since it was first heard in "Finian's Rainbow," and it still swings! "I look at you and suddenly, something in your eyes I see, soon begins bewitching me.
This soft samba setting of the famous love theme from The Godfather offers plenty of options to showcase your choir's singing skills: blend, style, rhythm, and an ensemble scat interlude. A great
Four fantastic hits combine in this four-and-a-half minute medley of fun! Perfectly for choreography, it even includes a kazoo interlude. You couldn't ask for more! Included are: I Got Rhythm; How High
One of the top standards of all time! This rich setting with dreamy rubato phrasing, warm harmonies, and the full range of emotional expressivity will be a wonderful showcase for concert, community, and pop
"It doesn't matter much how old I grow, I hate to see October go." A cappella choirs will enjoy the lush jazz harmonies in this tasteful arrangement of Barry Manilow's 1985 hit. Impeccable voice leading and
Famously recorded by Nat King Cole, Cleo Laine, Diana Krall and others, this heartfelt ballad will showcase the skill and technique of your vocal jazz ensemble at their best! Set in a laid-back 4, with
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