Concert Marches for Concert Band

A powerhouse arrangement of this march for the concert band! Written at an accessible Grade 3.5, this march is sure to impress. As an opener, closer, or mid-concert show-stopper, this will be an audience

This will be an audience favorite to open or close your next concert! Playful harmonies and lively melodic lines stand out immediately in this energetic contemporary march. The attention to scoring ensures

The rousing march music of John Philip Sousa has been an audience favorite for generations. This spirited medley combines themes from four of Sousa's most famous marches: The Washington Post; Semper

The classic march has been wonderfully rescored for more accessibility while maintaining the grandeur of the original.

Composed in 1925 by Spanish composer Jaime Texidor, this attractive, moderately paced paso doble has a proven long-lasting appeal and musicality and is a true classic in concert band repertoire.

A rousing original march composed in the style of famous march composer Henry Fillmore. A tuneful, chromatic melodic figure, fanfare-like themes, and bold, march-style harmonies are highlighted in this

When conducting circus bands, Karl King would frequently edit his marches so they could be used for contrasting acts. In that same spirit, this familiar march has been creatively repurposed to suit an

Bright, stylish and totally engaging, this march represents all that we've come to expect from this talented composer. Of special appeal is the varied dynamic contrast that is most distinctive and will

The golden age of marches in early 20th century gave us a wealth of wonderful literature. That tradition is still alive and well as can be seen with this wonderful and tuneful addition to the repertoire.

Everyone loves a march. A march that is a little tongue in cheek, however, is something extra special. This one will grab you by the ears and shake until you're laughing with delight.

Directors wanting a unique march need look no further. This refreshing march is written in the style of Russian folk music, offering a break from the standard American march style for festival performances.

Al Hayes is actually a pseudonym used by Henry Fillmore on over fifty publications. This march completely encompasses the style and creativity that he has come to be famous for. Written in the

Another in the fine series of marches from Karl King, this gem received its title "from some ritualistic work of a certain fraternity." Composed in 1913, the march is dedicated to Clive Dayton of Brighton,

Written by John Philip Sousa in appreciation of an honor given to him by the Board of Directors of the 1893 St. Louis Exposition, The Directorate was one of the first pieces that he composed for

Composed as a follow-up to the popular Don Ricardo, this work is in the style of a paso doble and is dedicated to and named for a legendary music educator of 50 years. Exhibiting a brilliance of

Written in the style of the marches used in circuses to accompany acrobats, this march harkens back to a longstanding band tradition. Filled with theatrical surprises, it is a work that adds a special

A tuneful, fun, and energetic original march written in a traditional style. A perfect vehicle for teaching march style, this piece is a welcome addition to the concert band repertoire. Sure to get

A high-quality setting of this march standard that will allow a wider group of ensembles to experience this Sousa classic. It is so well arranged that you, your students, and your audiences will not be able

Originally published in 1932, this rediscovered treasure of the concert march world has been rescored for the modern concert band. Written in traditional march form, all sections are featured. A pleasant

Here is a bold and gallant contemporary march with traditional form paying tribute to the brave men and women who are first responders. The chimes (alarm bells) are prevalent throughout the piece,

Described as an "Italian Grand March," this wonderful march is now available in an edition based on the original European edition. Edited by John Bourgeois and including a full score, this entertaining