Sacred Music for Strings

This delicate, lyrics solo is scored for C instrument, piano and string quartet and it is sure to find a special place in ... view details

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.

Alfred's Easy Instrumental Solos for Special Occasions and Celebrations series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet horn in F, trombone, violin,

This collection includes 12 of the most popular and favorite hymns of all time. These beautifully crafted arrangements are fun to play and will be sure to please any audience or congregation. Titles

The popular hymn tune O STORE GUD is masterfully arranged for piano quintet (string quartet and piano).

Now includes optional viola and cello parts for 2nd violin. Intermediate level. Amazing Grace; Be Thou My Vision; Come Christians, Join to Sing; Jesus Loves Me; Come, Thou Long Expected Jesus;

Now includes optional viola and cello parts for 2nd violin. Intermediate level; All Things Bright and Beautiful; Blessed Assurance; Dona Nobis Pacem; I Come to the Garden Alone; Morning Has Broken; This

Designed for maximum flexibility, Hymns of Praise can be used for a solo instrument with piano or CD accompaniment or for any ensemble in any combination of instruments from duets to full

Ten hymns of praise suitable for use at various times throughout the year. Each flexible arrangement can be played by any number or combination of instruments, ranging from solo instrument (with piano or CD

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats